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Criminal case 40/61, the trial of Adolf Eichmann : an eyewitness account

Autor Harry Mulisch
Vydavatel: Philadelphia : University of Pennsylvania Press, ©2005.
Edice: Personal takes.
Vydání/formát:   book_printbook : Biography : EnglishZobrazit všechny vydání a formáty
Databáze:WorldCat
Shrnutí:
"Under a deceptively simple lable, "criminal case 40/61," the trial of Adolf Eichmann began in 1961. Mulisch modestly called his book on case 40/61 a report, and it is certainly that, as he gives firsthand accounts of the trial and its key players and scenes (the defendant's face strangely asymmetric and riddled by tics, his speech absurdly baroque). Eichmann's character comes out in his incessant bureaucratizing  Přečíst více...
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Detaily

Doplňující formát: Online version:
Mulisch, Harry, 1927-
Criminal case 40/61, the trial of Adolf Eichmann.
Philadelphia : University of Pennsylvania Press, ©2005
(OCoLC)607611150
Osoba: Adolf Eichmann; Adolf Eichmann
Typ materiálu: Biography, Internetový zdroj
Typ dokumentu: Book, Internet Resource
Všichni autoři/tvůrci: Harry Mulisch
ISBN: 0812238613 9780812238617
OCLC číslo: 57010420
Poznámka o jazyku: Translated from the Dutch.
Popis: xxiv, 178 pages : portraits ; 22 cm.
Obsahy: Foreword / Deborah Dwork --
1. Introduction --
2. The verdict and the execution --
3. The two faces of Eichmann --
4. Biography of a German --
5. Jerusalem diary I --
6. A ruin in Berlin --
7. The horror and its depiction --
8. The horror and its origin --
9. The order as fate --
10. The ideal of psycho-technology --
11. Jerusalem diary II --
12. On feelings of guilt, guilt, and reality --
13. On common sense, Christians, and Thomas Mann --
14. A consideration in Warsaw --
15. A museum in Oswiecim.
Název edice: Personal takes.
Jiné tituly: Zaak 40/61.
Odpovědnost: Harry Mulisch ; translated by Robert Naborn ; foreword by Debórah Dwork.
Více informací:

Anotace:

"Under a deceptively simple lable, "criminal case 40/61," the trial of Adolf Eichmann began in 1961. Mulisch modestly called his book on case 40/61 a report, and it is certainly that, as he gives firsthand accounts of the trial and its key players and scenes (the defendant's face strangely asymmetric and riddled by tics, his speech absurdly baroque). Eichmann's character comes out in his incessant bureaucratizing and calculating, as well as in his grandiose visions of himself as a Pontius Pilate-like innocent. As Mulisch intersperses his dispatches from Jerusalem with meditative accounts of a divided and ruined Berlin, an eerily rebuilt Warsaw, and a visit to the gas chambers of Auschwitz, Criminal Case 40/61, the Trial of Adolf Eichmann emerges as a disturbing and highly personal essay on the Nazi extermination of European Jews and on the human capacity to commit evil ever more efficiently in an age of technological advancement."--Jacket.

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