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Criminal case 40/61, the trial of Adolf Eichmann : an eyewitness account

ผู้แต่ง: Harry Mulisch
สำนักพิมพ์: Philadelphia : University of Pennsylvania Press, ©2005.
ชุด: Personal takes.
ครั้งที่พิมพ์/รูปแบบ:   Print book : บรรณานุกรม : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
"Under a deceptively simple lable, "criminal case 40/61," the trial of Adolf Eichmann began in 1961. Mulisch modestly called his book on case 40/61 a report, and it is certainly that, as he gives firsthand accounts of the trial and its key players and scenes (the defendant's face strangely asymmetric and riddled by tics, his speech absurdly baroque). Eichmann's character comes out in his incessant bureaucratizing  อ่านมากขึ้น…
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รูปแบบทางกายภาพเพิ่มเติม Online version:
Mulisch, Harry, 1927-
Criminal case 40/61, the trial of Adolf Eichmann.
Philadelphia : University of Pennsylvania Press, ©2005
(OCoLC)607611150
ชื่อบุคคล: Adolf Eichmann; Adolf Eichmann
ขนิดวัสดุ: บรรณานุกรม, ทรัพยากรอินแทอร์เน็ต
ประเภทของเอกสาร: หนังสือ, แหล่งข้อมูลอินเทอร์เน็ต
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Harry Mulisch
ISBN: 0812238613 9780812238617
OCLC Number: 57010420
หมายเหตุถาษา: Translated from the Dutch.
คำอธิบาย: xxiv, 178 pages : portraits ; 22 cm.
สารบัญ: Foreword / Deborah Dwork --
1. Introduction --
2. The verdict and the execution --
3. The two faces of Eichmann --
4. Biography of a German --
5. Jerusalem diary I --
6. A ruin in Berlin --
7. The horror and its depiction --
8. The horror and its origin --
9. The order as fate --
10. The ideal of psycho-technology --
11. Jerusalem diary II --
12. On feelings of guilt, guilt, and reality --
13. On common sense, Christians, and Thomas Mann --
14. A consideration in Warsaw --
15. A museum in Oswiecim.
ชื่อชุด: Personal takes.
ชื่อเรื่องอื่น: Zaak 40/61.
ความรับผิดชอบ: Harry Mulisch ; translated by Robert Naborn ; foreword by Debórah Dwork.
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บทคัดย่อ:

"Under a deceptively simple lable, "criminal case 40/61," the trial of Adolf Eichmann began in 1961. Mulisch modestly called his book on case 40/61 a report, and it is certainly that, as he gives firsthand accounts of the trial and its key players and scenes (the defendant's face strangely asymmetric and riddled by tics, his speech absurdly baroque). Eichmann's character comes out in his incessant bureaucratizing and calculating, as well as in his grandiose visions of himself as a Pontius Pilate-like innocent. As Mulisch intersperses his dispatches from Jerusalem with meditative accounts of a divided and ruined Berlin, an eerily rebuilt Warsaw, and a visit to the gas chambers of Auschwitz, Criminal Case 40/61, the Trial of Adolf Eichmann emerges as a disturbing and highly personal essay on the Nazi extermination of European Jews and on the human capacity to commit evil ever more efficiently in an age of technological advancement."--Jacket.

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