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The critic is artist : the intentionality of art

Author: Donald B Kuspit
Publisher: Ann Arbor, Mich. : UMI Research Press, ©1984.
Series: Contemporary American art critics, no. 2.
Edition/Format:   Print book : EnglishView all editions and formats
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Additional Physical Format: Online version:
Kuspit, Donald B. (Donald Burton), 1935-
Critic is artist.
Ann Arbor, Mich. : UMI Research Press, ©1984
(OCoLC)561607524
Document Type: Book
All Authors / Contributors: Donald B Kuspit
ISBN: 0835715329 9780835715324 0835719278 9780835719278
OCLC Number: 10208010
Description: xx, 398 pages ; 24 cm.
Contents: A phenomenological approach to artistic intention --
The dialectic of taste --
Dialectical reasoning in Meyer Schapiro --
Art criticism : where's the depth? --
Civil war : artist contra critic --
Modern art's failure of critical nerve --
The necessary dialectical critic --
Utopian protest in early abstract art --
Delaunay's rationale for Peinture Pure, 1909-1915 --
Malevich's quest for unconditioned creativity --
To interpret or not to interpret Jackson Pollock --
Abstract expressionism : the social contract --
Clyfford Still : the ethics of art --
Symbolic pregnance in Mark Rothko and Clyfford Still --
Cosmetic transcendentalism : surface-light in John Torreano, Rodney Ripps, and Lynda Benglis --
Lichtenstein and the collective unconscious of style --
The unhappy consciousness of modernism --
Wittgensteinean aspects of minimal art --
Sol LeWitt the Wit --
Nineteenth-century landscape : poetry and property --
Regionalism reconsidered --
Individual and mass identity in urban art : the New York case --
Richard Serra, utopian constructivist --
Francis Bacon : the authority of flesh --
Leon Golub's murals of mercenaries : aggression, "resentiment," and the artist's will to power --
Beuys : fat, felt, and alchemy --
Uncivil war --
Betraying the feminist intention : the case against feminist decorative art --
Art in an age of mass mediation.
Series Title: Contemporary American art critics, no. 2.
Responsibility: by Donald Kuspit.

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