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Critical essays in popular musicology

Author: Allan F Moore
Publisher: Aldershot, Hampshire, England ; Burlington, VT : Ashgate, ©2007.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
This reference work reproduces in facsimile form many of the most important and innovative journal articles and papers in the field, along with an introductory overview by the editor, Allan F. Moore.
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Critical essays in popular musicology.
Aldershot, Hampshire, England ; Burlington, VT : Ashgate, ©2007
(OCoLC)649069826
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Allan F Moore
ISBN: 9780754626473 0754626474
OCLC Number: 85898000
Description: xxii, 608 pages : illustrations ; 25 cm
Contents: Part I. Contexts for Addressing Texts. Theory. 'Black music', 'Afro-American music', and 'European music' / Philip Tagg ; A theory of musical competence / Gino Stefani ; Can we get rid of the 'popular' in popular music? : a virtual symposium with contributions from the international advisory editors of Popular Music / Various authors ; Browsing music spaces: categories and the musical mind / Franco Fabbri ; The high analysis of low music / Dai Griffiths ; Second thoughts on a rock aesthetic: The Band / Andrew Chester ; Why I'll never teach rock 'n' roll again / Sean MacCann ; Authenticity as authentication / Allan Moore ; Intertextuality and hypertextuality in recorded popular music / Serge Lacasse ; From refrain to rave: the decline of figure and the rise of ground / Philip Tagg ; What does it mean to analyse popular music? / Adam Krims --
Music Theory. The formation of a musical style: early rock / Ronald Byrnside ; Toward a theory of popular harmony / Peter K. Winkler ; On aeolian harmony in contemporary popular music / Alf Björnberg ; The so-called 'flattened seventh' in rock / Allan Moore ; Making sense of rock's tonal systems / Walter Everett ; Incongruity and predictability in British dance-band music of the 1920s and 1930s / Derek B. Scott ; Rhythm, rhyme and rhetoric in the music of Public Enemy / Robert Walser --
Part II. Addressing Texts. Fantastic remembrance in John Lennon's 'Strawberry Fields Forever' and 'Julia' / Walter Everett ; The Rutles and the use of specific models in musical satire / John R. Covach ; The aesthetics of music video: an analysis of Madonna's 'Cherish' / Carol Vernallis ; 'Gently tender': the Incredible String Band's early albums / Charlie Ford ; Cathy's homecoming and the other world: Kate Bush's 'Wuthering Heights' / Nicky Losseff ; Pulp, pornography and spectatorship: subject matter and subject position in Pulp's 'This is Hardcore' / Nicola Dibben ; Glamour and evasion: the fabulous ambivalence of the Pet Shop Boys / Fred E. Maus ; Vicars of 'wannabe': authenticity and the Spice Girls / Elizabeth Eva Leach ; Oh Boy! (Oh Boy!): mutual desirability and musical structure in the buddy group / Barbara Bradby.
Responsibility: Allan Moore, editor.
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Abstract:

An useful reference work which reproduces many of the notable and creative journal articles and papers in Musicology. It is designed to improve access to the significant, concise English-language  Read more...

Table of Contents:

by chrisph (WorldCat user on 2007-09-06)

1 "Black music", "Afro-American music", and "European music" by Philip Tagg 5 2 A theory of musical competence by Gino Stefani 19 3 Can we get rid of the "popular" in popular music? : a virtual symposium with contributions from the international advisory editors of Popular music 35 4 Browsing music spaces : categories and the musical mind by Franco Fabbri 49 5 The high analysis of low music by Dai Griffiths 63 6 Second thoughts on a rock aesthetic : The Band by Andrew Chester 111 7 Why I'll never teach rock 'n' roll again by Sean McCann 119 8 Authenticity as authentication by Allan Moore 131 9 Intertextuality and hypertextuality in recorded popular music by Serge Lacasse 147 10 From refrain to rave : the decline of figure and the rise of ground by Philip Tagg 171 11 What does it mean to analyse popular music? by Adam Krims 185 12 The formation of a musical style : early rock by Ronald Byrnside 217 13 Toward a theory of popular harmony by Peter K. Winkler 251 14 On Aeolian harmony in contemporary popular music by Alf Bjornberg 275 15 The so-called "flattened seventh" in rock by Allan Moore 283 16 Making sense of rock's tonal systems by Walter Everett 301 17 Incongruity and predictability in British dance band music of the 1920s and 1930s by Derek B. Scott 337 18 Rhythm, rhyme and rhetoric in the music of public enemy by Robert Walser 363 19 Fantastic remembrance in John Lennon's "Strawberry fields forever" and "Julia" by Walter Everett 391 20 The Rutles and the use of specific models in musical satire by John R. Covach 417 21 The aesthetics of music video: an analysis of Madonna's 'Cherish' by Carol Vernallis 443 22 'Gently tender': the Incredible String Band's early albums by Charlie Ford 477 23 Cathy's homecoming and the other world: Kate Bush's 'Wuthering Heights' by Nicky Losseff 487 24 Pulp, pornography and spectatorship: subject matter and subject position in Pulp's 'This is Hardcore' by Nicola Dibben 501 25 Glamour and evasion: the fabulous ambivalence of the Pet Shop Boys by Fred E. Maus 525 26 Vicars of 'wannabe': authenticity and the Spice Girls by Elizabeth Eva Leach 541 27 Oh Boy! (Oh Boy!): mutual desirability and musical structure in the buddy group by Barbara Bradby 567 Index 597

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'...an exceptional collection of writings from the emerging field of popular music studies...a useful reference source...' Fontes Artis Musicae

 
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