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Cubism and fashion

Auteur : Richard Martin; Metropolitan Museum of Art (New York, N.Y.)
Éditeur : New York : Metropolitan Museum of Art : Distributed by H.N. Abrams, ©1998.
Édition/format :   Livre : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"Cubism and Fashion demonstrates for the first time how the fundamental traits of Cubist art were translated into fashion during the critical years from 1908 into the early 1920s and how Cubism has continued to influence designers even to the present. This volume, by juxtaposing art and fashion, shows how many of the most glittering and elegant dresses of the teens and twenties benefited from Cubist concepts.  Lire la suite...
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Détails

Genre/forme : Exhibition catalogs
History
Exhibitions
Format – détails additionnels : Online version:
Martin, Richard (Richard Harrison).
Cubism and fashion.
New York : Metropolitan Museum of Art : Distributed by H.N. Abrams, ©1998
(OCoLC)606822484
Personne nommée : Georges Braque; Sonia Delaunay; Juan Gris; Coco Chanel; Madeleine Vionnet; Paul Poiret; Fernand Léger; Pablo Picasso
Format : Livre
Tous les auteurs / collaborateurs : Richard Martin; Metropolitan Museum of Art (New York, N.Y.)
ISBN : 0870998889 9780870998881 0870998897 9780870998898 0810965321 9780810965324
Numéro OCLC : 40073933
Notes : Catalogue of an exhibition to be held at the Metropolitan Museum of Art from Dec. 10, 1998 to Mar. 14, 1999.
Description : 160 pages : illustrations (some color) ; 31 cm
Contenu : Foreword by Philippe de Montebello --
From three dimensions to two --
The analytical art --
Pattern and collage --
Modern enterprises --
Fashion rendering --
Persistent cubism --
Art and fashion.
Responsabilité : Richard Martin.

Résumé :

"Cubism and Fashion demonstrates for the first time how the fundamental traits of Cubist art were translated into fashion during the critical years from 1908 into the early 1920s and how Cubism has continued to influence designers even to the present. This volume, by juxtaposing art and fashion, shows how many of the most glittering and elegant dresses of the teens and twenties benefited from Cubist concepts. Significantly, this book does not extol rudimentary drawings for apparel by Cubist artists, but rather presents a critical study of the most accomplished creations by Poiret, Vionnet, Chanel, and other premier designers who assimilated Cubist principles. Here their work is shown next to art works by Georges Braque, Robert Delaunay, Juan Gris, Fernand Leger, Pablo Picasso, and other seminal artists of the early twentieth century."--Jacket.

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Données liées


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