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The cultural cold war : the CIA and the world of arts and letters

Autor: Frances Stonor Saunders
Editora: New York : New Press : Distributed by W.W. Norton & Co., 2000.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"In The Cultural Cold War, Frances Stonor Saunders presents for the first time the shocking evidence that the CIA infiltrated every niche of the cultural sphere during the postwar years. In a book that draws together recently declassified documents and exclusive interviews, the author narrates the extraordinary story of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West
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Detalhes

Tipo de Documento: Livro
Todos os Autores / Contribuintes: Frances Stonor Saunders
ISBN: 156584596X 9781565845961 1565846648 9781565846647
Número OCLC: 43114251
Notas: Originally published: Who paid the piper? London : Granta Books, 1999.
Prêmios: The Royal Historical Society Gladstone History Book Prize, 1999.
Descrição: ix, 509 pages : illustrations ; 24 cm
Conteúdos: Exquisite Corpse --
Destiny's Elect --
Marxists at the Waldorf --
Democracy's Deminform --
Crusading's the Idea --
'Operation Congress' --
Candy --
Cette Fete Americaine --
The Consortium --
The Truth Campaign --
The New Consensus --
Magazine 'X' --
The Holy Willies --
Music and Truth, ma non troppo --
Ransom's Boys --
Yanqui Doodles --
The Guardian Furies --
When Shrimps Learn to Whistle --
Achilles' Heel --
Cultural NATO --
Caesar of Argentina --
Pen Friends --
Literary Bay of Pigs --
View from the Ramparts --
That Sinking Feeling --
A Bad Bargain.
Outros Títulos: Who paid the piper?
Responsabilidade: Frances Stonor Saunders.

Resumo:

"In The Cultural Cold War, Frances Stonor Saunders presents for the first time the shocking evidence that the CIA infiltrated every niche of the cultural sphere during the postwar years. In a book that draws together recently declassified documents and exclusive interviews, the author narrates the extraordinary story of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West became instruments of the American government. The CIA's front organizations and the philanthropic foundations that channeled its money also organized conferences, founded magazines, ran congresses, mounted exhibitions, arranged concerts, and flew symphony orchestras around the world."

"Many of the period's foremost intellectuals and artists appear in the book: Isaiah Berlin, Clement Greenberg, Sidney Hook, Arthur Koestler, Irving Kristol, Robert Lowell, Henry Luce, Andre Malraux, Mary McCarthy, Reinhold Neibuhr, George Orwell, Jackson Pollock, Bertrand Russell, Jean-Paul Sartre, Arthur Schlesinger, Jr., and Stephen Spender, among others. While many were unwitting participants in the CIA's cultural operation, others were willing collaborators."--Jacket.

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