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The cultural cold war : the CIA and the world of arts and letters

著者: Frances Stonor Saunders
出版商: New York : New Press : Distributed by W.W. Norton & Co., 2000.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"In The Cultural Cold War, Frances Stonor Saunders presents for the first time the shocking evidence that the CIA infiltrated every niche of the cultural sphere during the postwar years. In a book that draws together recently declassified documents and exclusive interviews, the author narrates the extraordinary story of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West
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文件类型:
所有的著者/提供者: Frances Stonor Saunders
ISBN: 156584596X 9781565845961 1565846648 9781565846647
OCLC号码: 43114251
注意: Originally published: Who paid the piper? London : Granta Books, 1999.
奖励: The Royal Historical Society Gladstone History Book Prize, 1999.
描述: ix, 509 pages : illustrations ; 24 cm
内容: Exquisite Corpse --
Destiny's Elect --
Marxists at the Waldorf --
Democracy's Deminform --
Crusading's the Idea --
'Operation Congress' --
Candy --
Cette Fete Americaine --
The Consortium --
The Truth Campaign --
The New Consensus --
Magazine 'X' --
The Holy Willies --
Music and Truth, ma non troppo --
Ransom's Boys --
Yanqui Doodles --
The Guardian Furies --
When Shrimps Learn to Whistle --
Achilles' Heel --
Cultural NATO --
Caesar of Argentina --
Pen Friends --
Literary Bay of Pigs --
View from the Ramparts --
That Sinking Feeling --
A Bad Bargain.
其他题名: Who paid the piper?
责任: Frances Stonor Saunders.
更多信息:

摘要:

"In The Cultural Cold War, Frances Stonor Saunders presents for the first time the shocking evidence that the CIA infiltrated every niche of the cultural sphere during the postwar years. In a book that draws together recently declassified documents and exclusive interviews, the author narrates the extraordinary story of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West became instruments of the American government. The CIA's front organizations and the philanthropic foundations that channeled its money also organized conferences, founded magazines, ran congresses, mounted exhibitions, arranged concerts, and flew symphony orchestras around the world."

"Many of the period's foremost intellectuals and artists appear in the book: Isaiah Berlin, Clement Greenberg, Sidney Hook, Arthur Koestler, Irving Kristol, Robert Lowell, Henry Luce, Andre Malraux, Mary McCarthy, Reinhold Neibuhr, George Orwell, Jackson Pollock, Bertrand Russell, Jean-Paul Sartre, Arthur Schlesinger, Jr., and Stephen Spender, among others. While many were unwitting participants in the CIA's cultural operation, others were willing collaborators."--Jacket.

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