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Cultural dissemination and translational communities : German drama in English translation, 1900-1914

Author: Katja Krebs
Publisher: Manchester, UK ; Kinderhook, NY, USA : St. Jerome Pub., 2006.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

The early twentieth century is regarded as a crucial period in British theatre history: it witnessed change with regard to textual, conceptual and institutional practices and functions. This book  Read more...

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Genre/Form: Criticism, interpretation, etc
History
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Katja Krebs
ISBN: 1900650991 9781900650991
OCLC Number: 71800630
Description: pages cm
Contents: 1. Unlikely Bedfellows?: Theatre Histories and Translation Studies --
1.1. The State of Play: Theatre Studies and Theatre History --
1.2. Theatre Translation Studies --
1.3. Translation History --
1.4. Text and Performance --
2. Tangled Webs They Weave: The Opportunist Translators within the Interwoven Theatrical Community --
2.1. Setting the Scene: The London Stage; a (Sub- )Field in the Making? --
2.2. Networks and Networkers --
3. Spoilt for Choice: Translators and their Selection of Source Texts --
3.1. Similarities of Selection --
3.2. Three Reformers, Three Selections --
3.2.1. William Archer --
3.2.2. Jacob Thomas Grein --
3.2.3. Harley Granville Barker --
3.3. Ideology: The Individual Amid the Collective --
4. "England Expects ... ": Sanctions, Norms and Expectations --
4.1. Defining Parameters of Analysis. 4.1.1. The Myth of Equivalence --
4.1.2. The Review as Sanction --
4.1.3. The Review as Metatext --
4.1.4. The Review Sample --
4.2. The Translated Other and the Inflated Self: Reviews at Work --
4.2.1. Equivalence in Concepts of Stage Translation --
4.2.2. 'Being on One's Guard': An Awareness of Equivalence and Cultural Hegemony --
4.2.3. 'Blue Lines': Translation, Morality and Censorship of the Other --
4.2.4. Translation and Genre --
4.2.5. 'A Eurovision Stage Contest': Hegemony and other Target Cultures --
4.2.6. Harley Granville Barker: Cultural Capital and the Translator as Re-writer? --
4.3. The Exception to the Rule --
4.3.1. William Archer, the Academy and Acculturation --
5. Dusting Down the Playtext for Imprints: An Investigation into Cultural and Social Traces in Translations --
5.1. Paratexts --
5.2. The Green Cockatoo --
5.3. Anatol --
Appendix: German Drama in English Translation on the London Stage: 1900-1920.
Responsibility: Katja Krebs.
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