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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/57239535 Title: Cultural sniping : the art of transgression Author: Jo Spence Publisher: London ; New York : Routledge, 1995. ISBN/ISSN: 0203359755 9780203359754 OCLC:57239535

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Cultural sniping : the art of transgression

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Cultural sniping : the art of transgression

Author:	Jo Spence
Publisher:	London ; New York : Routledge, 1995.
Series:	Comedia.
Edition/Format:	eBook : Document : Biography : EnglishView all editions and formats
Rating:	(not yet rated) 0 with reviews - Be the first.
Subjects	Spence, Jo. Photography, Artistic. Women photographers -- England -- Biography. View all subjects
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Genre/Form:	Electronic books Biography
Additional Physical Format:	Print version: Spence, Jo. Cultural sniping. London ; New York : Routledge, 1995 (DLC) 94041227 (OCoLC)31411096
Named Person:	Jo Spence; Jo Spence
Material Type:	Biography, Document, Internet resource
Document Type:	Internet Resource, Computer File
All Authors / Contributors:	Jo Spence Find more information about:
ISBN:	0203359755 9780203359754
OCLC Number:	57239535
Notes:	"Publications by Jo Spence": pages [234]-236.
Description:	1 online resource (249 pages) : illustrations (some color).
Contents:	""BOOK COVER""; ""HALF-TITLE""; ""TITLE""; ""COPYRIGHT""; ""DEDICATION""; ""DEDICATION""; ""CONTENTS""; ""ILLUSTRATIONS""; ""ABOUT THOSE DIRECTLY INVOLVED IN THIS BOOK""; ""ACKNOWLEDGEMENTS""; ""EDITORâ€?S PREFACE""; ""INTRODUCTION""; ""CHRONOLOGY OF JO SPENCEâ€?S LIFE""; ""CLASS, REALISM AND BEYOND""; ""1. THE POLITICS OF PHOTOGRAPHY""; ""CURRENT TRENDS IN COMMERCIAL PHOTOGRAPHY""; ""SOCIAL REALISM""; ""SOME ALTERNATIVES""; ""Community photography""; ""2. THE UNPOLITICAL PHOTOGRAPH?""; ""THE NEUTRAL WORLD?""; ""CLASS EXPERIENCES""; ""WHERE DO IDEAS COME FROM?"" ""HOW THE WORK CAME ABOUT""""WORKING METHOD""; ""MOVING ON?""; ""PLEASURE""; ""10. TEN YEARS OF PHOTOGRAPHY WORKSHOP""; ""1974â€?1976""; ""1977â€?1979""; ""PHOTOGRAPHY WORKSHOPâ€?S ORIGINAL STATEMENT OF AIMS""; ""1980â€?1982""; ""1974â€?1984: SETTING UP AN ARCHIVE""; ""11. QUESTIONING DOCUMENTARY PRACTICE?""; ""NOTES TO PART ONE""; ""2 THE UNPOLITICAL PHOTOGRAPH?""; ""3 WHAT DID YOU DO IN THE WAR, MUMMY? CLASS AND GENDER IN THE IMAGES OF WOMEN""; ""5 THE SIGN AS A SITE OF CLASS STRUGGLE: REFLECTIONS ON THE WORK OF JOHN HEARTFIELD""; ""Recommended reading includes:"" ""7 FAIRY TALES AND PHOTOGRAPHY""""10 TEN YEARS OF PHOTOGRAPHY WORKSHOP""; ""11 QUESTIONING DOCUMENTARY PRACTICE? THE SIGN AS A SITE OF STRUGGLE""; ""A CRISIS RISIS OF REPRESENTATION Health and Bodies""; ""12. THE PICTURE OF HEALTH? ""; ""PATIENTSâ€? RIGHTS""; ""ALTERNATIVE APPROACHES TO SURVIVAL""; ""HINTS FOR THE DAILY ROUTINE""; ""CONSCIOUSNESS RAISING""; ""13. TIP OF THE ICEBERG""; ""SECTION 1: WHOSE BREAST?""; ""SECTION 2: FIT TO BE SEEN""; ""SECTION 3: TAKING CONTROL""; ""TREATMENT""; ""14. IDENTITY AND CULTURAL PRODUCTION ""; ""Narratives of Dis-Ease: Ritualized Procedures"" ""15. BODY BEAUTIFUL OR BODY IN CRISIS""""BREAST CANCER: WHAT IS IT?""; ""A CONTEXT FOR SPEAKING: WHO AM I?""; ""TOWARDS A DIALECTICAL VIEW OF OUR BODIES""; ""NOTES TO PART TWO ""; ""12 THE PICTURE OF HEALTH? PART 3""; ""14 IDENTITY AND CULTURAL PRODUCTION: OR DECIDING TO BECOME THE SUBJECT OF OUR OWN HISTORIES RATHER THAN THE OBJECT OF ANYONE ELSEâ€?S""; ""IDENTITY, PHOTOGRAPHY, THERAPY""; ""16. NEW KNOTS, 1983""; ""THE PROBLEM OF NOT KNOWING WHAT THE PROBLEM IS""; ""17. THE POLITICS OF TRANSFORMATION""; ""THE BACKGROUND""; ""PHOTOTHERAPYâ€?A HEALING ART?""; ""THEORY AND ACTIVITY?""
Series Title:	Comedia.
Responsibility:	by Jo Spence ; literary editing by Jo Stanley, picture editing by David Hevey, foreword by Annette Kuhn.

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