コンテンツへ移動
Curious subjects : women and the trials of realism 資料のプレビュー
閉じる資料のプレビュー
確認中…

Curious subjects : women and the trials of realism

著者: Hilary Margo Schor
出版: Oxford ; New York : Oxford University Press, 2013.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"While nineteenth-century literary scholars have long been interested in women's agency in the context of their legal status as objects, Curious Subjects makes the striking and original argument that what we find at the intersection between women subjects (who choose and enter into contracts) and women objects (owned and defined by fathers, husbands, and the law) is curiosity. Women protagonists in the novel are
評価:

(まだ評価がありません) 0 件のレビュー - 是非あなたから!

件名:
関連情報:

 

オフラインで入手

&AllPage.SpinnerRetrieving; この資料の所蔵館を検索中…

詳細

ジャンル/形式: Criticism, interpretation, etc
History
ドキュメントの種類: 図書
すべての著者/寄与者: Hilary Margo Schor
ISBN: 9780199928095 0199928096 9780199928101 019992810X
OCLC No.: 802324839
物理形態: ix, 271 pages ; 25 cm
コンテンツ: Introduction: The Curious Princess, the Novel and the Law --
Part One. Forming the Novel: 1. The Making of the Curious Heroine: Enlightenment, Contract and the Novel; 2. Reading for the Test, Trying the Heroine: The Curiosity Defense; 3. Alice and the Curious Room --
Part Two. Crossing the Threshold: 4. Was She Guilty or Not?: The Curious Heroine meets the wicked novelist; 5. Bleak House and The Curious Secrets: "Who Copied That"; 6. The Bluebeard of the Classroom: Bad Marriages, General Laws, and the Daughter's Curiosity; 7. George Eliot and the Curious Bride: Ghosts in the Daylight --
Conclusion: The Clockwork Princess, or, Justice for the Dolls.
責任者: Hilary M. Schor.
その他の情報:

概要:

Curious Subjects makes the striking and original argument that what we find at the intersection between women subjects (who choose and enter into contracts) and women objects (owned and defined by  続きを読む

レビュー

編集者のレビュー

出版社によるあらすじ

just when you were sure that there could not possibly be anything new to say about such mainstays of 19th-century fiction, [Schor] dazzles her reader with fresh perspectives couched in a vibrant 続きを読む

 
ユーザーレビュー
GoodReadsのレビューを取得中…
DOGObooksのレビューを取得中…

タグ

まずはあなたから!
リクエストの確認

あなたは既にこの資料をリクエストしている可能性があります。このリクエストを続行してよろしければ、OK を選択してください。

リンクデータ


<http://www.worldcat.org/oclc/802324839>
library:oclcnum"802324839"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/802324839>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh2008113581>
rdf:typeschema:Intangible
schema:name"Women and literature--England--History--19th century."@en
schema:about
<http://id.loc.gov/authorities/subjects/sh2008103100>
rdf:typeschema:Intangible
schema:name"English fiction--19th century--History and criticism."@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"2013"
schema:description""While nineteenth-century literary scholars have long been interested in women's agency in the context of their legal status as objects, Curious Subjects makes the striking and original argument that what we find at the intersection between women subjects (who choose and enter into contracts) and women objects (owned and defined by fathers, husbands, and the law) is curiosity. Women protagonists in the novel are always both curiosities: strange objects worthy of our interest and actors who are themselves actively curious--relentless askers of questions, even (and perhaps especially) when they are commanded to be content and passive. What kinds of curiosity are possible and desirable, and what different kinds of knowledge do they yield? What sort of subject asks questions, seeks, chooses? Can a curious woman turn her curiosity on herself? Curious Subjects takes seriously the persuasive force of the novel as a form that intervenes in our sense of what women want to know and how they can and should choose to act on that knowledge. And it shows an astonishingly wide and subtly various range of answers to these questions in the British novel, which far from simply punishing women for their curiosity, theorized it, shaped it, and reworked it to give us characters as different as Alice in Wonderland and Dorothea Brooke, Clarissa Harlowe and Louisa Gradgrind. Schor's study provides thought-provoking new readings of the most canonical novels of the nineteenth century--Hard Times, Bleak House, Vanity Fair, Daniel Deronda, among others--and pushes well beyond commonplace historicist accounts of British culture in the period as a monolithic ideological formation. It will interest scholars of law and literature, narratology, and feminist theory as well as literary history more generally"--"@en
schema:description"Introduction: The Curious Princess, the Novel and the Law -- Part One. Forming the Novel: 1. The Making of the Curious Heroine: Enlightenment, Contract and the Novel; 2. Reading for the Test, Trying the Heroine: The Curiosity Defense; 3. Alice and the Curious Room -- Part Two. Crossing the Threshold: 4. Was She Guilty or Not?: The Curious Heroine meets the wicked novelist; 5. Bleak House and The Curious Secrets: "Who Copied That"; 6. The Bluebeard of the Classroom: Bad Marriages, General Laws, and the Daughter's Curiosity; 7. George Eliot and the Curious Bride: Ghosts in the Daylight -- Conclusion: The Clockwork Princess, or, Justice for the Dolls."@en
schema:description""Curious Subjects makes the striking and original argument that what we find at the intersection between women subjects (who choose and enter into contracts) and women objects (owned and defined by fathers, husbands, and the law) is curiosity. Women protagonists in the novel are always both curiosities: strange objects worthy of our interest and actors who are themselves actively curious-relentless askers of questions, even (and perhaps especially) when they are commanded to be content and passive. Schor's study pushes beyond commonplace historicist accounts of British culture in the period as a monolithic ideological formation"--"@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1170121796>
schema:genre"History."@en
schema:genre"Criticism, interpretation, etc."@en
schema:genre"History"@en
schema:inLanguage"en"
schema:name"Curious subjects : women and the trials of realism"@en
schema:publisher
schema:url
schema:workExample
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBB295786>

Content-negotiable representations

ウインドウを閉じる

WorldCatにログインしてください 

アカウントをお持ちではないですか?簡単に 無料アカウントを作成することができます。.