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Cutting the body : representing woman in Baudelaire's poetry, Truffaut's cinema, and Freud's psychoanalysis

著者: Eliane Françoise DalMolin
出版: Ann Arbor : University of Michigan Press, ©2000.
シリーズ: Body, in theory.
エディション/フォーマット:   book_printbook : State or province government publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"This book explores the relationship between creative production and male imagination of the female body through a unique summoning of three distinct disciplines around the notion of the cut. It places the complex desire to cut the woman's body at the center of an investigation of male identity in Western culture through incisive discussions of poetry, cinema, and psychoanalysis. The terms of the inquiry disclose an
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ジャンル/形式: Criticism, interpretation, etc
その他のフォーマット: Online version:
DalMolin, Eliane Françoise.
Cutting the body.
Ann Arbor : University of Michigan Press, ©2000
(OCoLC)606618556
関連の人物: Charles Baudelaire; François Truffaut; Sigmund Freud; Charles Baudelaire; François Truffaut; Sigmund Freud; Charles Baudelaire; Sigmund Freud; François Truffaut
資料の種類: Government publication, State or province government publication
ドキュメントの種類: 図書
すべての著者/寄与者: Eliane Françoise DalMolin
ISBN: 047211073X 9780472110735
OCLC No.: 43095718
物理形態: viii, 219 pages ; 25 cm.
シリーズタイトル: Body, in theory.
責任者: Eliane DalMolin.
その他の情報:

概要:

"This book explores the relationship between creative production and male imagination of the female body through a unique summoning of three distinct disciplines around the notion of the cut. It places the complex desire to cut the woman's body at the center of an investigation of male identity in Western culture through incisive discussions of poetry, cinema, and psychoanalysis. The terms of the inquiry disclose an uncanny male disposition to femininity and motherhood, and its direct implication in productive acts of cutting.

Using the works of Charles Baudelaire, Francois Truffaut, and Sigmund Freud as models, the author establishes how these figures shaped and perpetuated a cultural understanding of women that they continued to represent in late romantic images, despite their respective innovative talents and influences in bringing about decisive cultural moments such as Modernism, New Wave cinema, and psychoanalysis." "The cross-disciplinary nature of this book will attract a large readership: it will be of direct interest to literary scholars in and beyond French studies and will also appeal to film specialists, feminist theorists, and experts in psychoanalytical theory."--Jacket.

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