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Dalí.

Author: Salvador Dalí; Max Gérard
Publisher: New York, H. N. Abrams [1968]
Edition/Format:   Book : EnglishView all editions and formats
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Genre/Form: Catalogs
Additional Physical Format: Online version:
Dalí, Salvador, 1904-1989.
Dalí
New York, H. N. Abrams [1968]
(OCoLC)756419917
Named Person: Salvador Dalí; Salvador Dalí
Document Type: Book
All Authors / Contributors: Salvador Dalí; Max Gérard
OCLC Number: 355574
Notes: Cover title: Dali de Draeger.
Description: 1 v. (chiefly illus. (part col.)) 31 cm.
Contents: War --
Jean-Louis-Ernest Meissonier (1888) --
Arabs --
1963 (death of Ramón Lull) --
Bird and fish --
c. 1928 --
Study for "Tuna fishing" 1966-1967 --
Spain --
1938 --
Combat --
1955 --
Battle of Tétuan --
1962 --
Sketch for "Battle of Tétuan" --
1962 --
Futuristic war --
1935 --
Saint George and the dragon --
1962 --
Soft construction with boiled beans --
1936 --
Atomica melancholica --
1945 The Landscape --
Orchard Lane, Cadaques 1922 --
Marine landscape --
1925 --
Pharmacist of Ampurdan in search of absolutely nothing --
1936 --
White calm --
1936 --
Landscape of Port Lligat --
1950 --
Imperial violets --
1938 --
Puzzle of Autumn --
1935 --
Shades of night descending --
1931 --
Autumn cannibalism --
1936-1937 --
Suburbs of the paranoiac-critical town: afternoon on the outskirts of European history 1936 --
Perpignan railway station --
1965 --
Tuna fishing --
1966-1967 --
Figure on the rocks --
1926 --
Sugar sphinx --
1933 Gala --
Paranoiac-astral image --
1934 --
Portrait of Gala --
1931 --
Couple with their heads full of clouds --
1934 --
Ovocipede --
1959 --
Atomic beginning of a portrait of Gala --
1932 --
Back of nude --
1945 --
Study for "Galarina" 1945 --
Leda atomica --
1949 --
Study for "Leda atomica" --
1947 --
Gala, naked at the window --
1963 --
Gala --
1936 --
Assumpta corpuscularia lapislazulina --
1952 --
Saint Helena of Port Lligat --
1956 --
Perpignan railway station --
1965 --
Study for "Madonna of Port Lligat" 1950 --
Gala with two lambchops in equilibrium on her shoulder --
c. 1933 --
The Flesh of the décolleté of my wife, clothed, outstripping light at full speed --
1954 --
Gala looking at the hypercubus Christ (study for "Crucifixion") 1954 --
Galarina --
1945 --
Apotheosis of the dollar 1965 --
The Royal heart 1951-1952 --
Gala gradiva --
1938 --
Portrait of Gala in circles --
1952 Nature morte (still life) --
The Slave of Michelangelo --
1966 --
The Weaning of furniture-nutrition 1934 --
Otorhinological head of Venus --
1964 --
Nature morte vivante (animated still life) --
1956 --
Big thumb, plate, moon, and decaying bird --
1928 --
Jug --
1922-1923 --
Basket of bread, II --
1945 --
The Sacrament of the last supper --
1955 --
The Anatomy lesson --
1965 --
Average atmospherocephalic bureaucrat in the act of milking a cranial harp --
1933 --
Morphological echo --
1936 --
Skull of Zurbaran --
1956 --
Resurrection of the flesh --
1940-1945 --
Fossil automobile of Cape Creus --
1936 --
Profanation of the host --
1929 --
Soft self-portrait with fried bacon --
1941 --
The Invisible man --
1932 --
The Sublime moment --
1938 --
Dali at the age of six when he believed himself to be a young girl, lifting the skin of the water to observe a dog sleeping in the shadow of the sea --
1950 --
Soft alarm clock --
1933 --
Rhinocerotic figure of Phidias' "Illisos" --
1954 Eroticism --
Two adolescents --
1954 --
Goddess leaning on her elbow --
1960 --
Lilith --
1966 --
Young virgin autosodomized by her own chastity --
1954 --
The Broken bridge and the dream --
1945 --
Sketch for "suburbs of the paranoiac-critical town" --
1936 --
The First days of Spring --
1929 --
Specter of sex-appeal --
1934 --
The great masturbator --
1929 --
Aphrodisiacal dinner jacket --
original 1936; replica 1966 --
Four fishermen's wives from Cadaques in the sun --
1928 --
Centaur --
1940 --
Meditation on the harp --
1932-1933 --
Dionysus spitting the complete image of Cadaques on the tip of the tongue of a three-storied Gaudinian woman --
1958 --
Archaeological reminiscence of Millet's "Angelus" --
1934-1935 --
Homage to Millet --
1965 --
Girl with curls --
1926 --
Atmospheric skull sodomizing a grand piano --
1934 --
Fountain of milk spreading itself uselessly on three sides --
1945 Mysticism --
Crucifixion (corpus hypercubus) --
1954 --
Christ in perspective --
1950 --
Angelic crucifixion designed 1959, executed 1960 --
The Wheelbarrows (pantheon formed by wheelbarrows in contortion) --
1951 --
The Annunciation --
1956 --
Discovery of America by Christopher Columbus --
1959 --
Imperial monument to the child-woman --
c. 1929 --
The Sacrament of the last supper --
1955 --
Galacidalacideoxyribonucleic acid --
1963 --
Ecumenical council --
1960 --
Ascent into the sky --
1950 --
Christ at Emmaus --
1960 --
Christ of Valles --
1962 --
Christ of St. John of the Cross --
1951 --
Coronation of Pope John XXIII --
1958 --
Raphaelesque head exploding --
1951 --
Cubist self-portrait --
1926 --
Apotheosis of the dollar --
1965 --
Salvador Dali in the act of painting Gala in the apotheosis of the dollar in which you can see on the left Marcel Duchamp masquerading as Louis XIV behind a Vermeerian curtain which actually is the invisible but monumental face of "Hermes" by Praxiteles --
1965 --
Gala looking at Dali in a state of anti-gravitation in his work of art "pop-op-yes-yes-pompier" in which one can contemplate the two anguishing characters from Millet's "angelus" in a state of atavistic hibernation standing out of a sky which can suddenly burst into a gigantic Maltese cross right in the heart of the Perpignan Railway Station where the whole universe must begin to converge --
1965 --
The Chromosome of a highly colored fish's eye starting the harmonious disintegration of the persistence of memory --
1952-1954 --
Errata (signed by Salvador Dali) --
Memory of the child-woman --
1932 Space-time --
The Hour of the cracked face --
1934 --
Old age, adolescence, and infancy --
1940 --
Dali as a child --
1929 --
Slave market with disappearing bust of Voltaire --
1940 --
Study for "bust of Voltaire" --
1941 --
The Sistine Madonna --
1958 --
Laocoön tormented by flies --
1965 --
Portrait of Paul Éluard --
1929 --
Portrait of my dead brother --
1963 --
Fifty abstract pictures which as seen from two yards change into three Lenins masquerading as Chinese and as seen from six yards appear as the head of a royal tiger --
1963 --
Velázquez painting the Infanta Margarita with the lights and shadows of his own glory --
1958 --
Twist in the studio of Velázquez --
1962 --
Las Meninas --
1960 --
The Creation of Eve --
1950 Oneiros --
Sleep --
1937 --
I don't remember --
1927-1928 --
The Broken bridge and the dream --
1945 --
Paranoiac-critical study of Vermeer's "Lacemaker" --
1955 --
Solitude --
1931 --
Birth of a goddess --
1960 --
The Anthropomorphic cabinet --
1936 --
Memory of the child-woman --
1932 --
Palladio's corridor of dramatic surprise --
1938 --
The Living flower -1954 --
Venus de Milo with drawers --
1936 --
Illumined pleasures --
1929 --
Accommodations of desire --
1929 --
The Hand --
1930 --
Geopoliticus child watching the birth of the new man --
1943 --
Daddy long legs of the evening --
hope! --
1940 --
Kneeling figure --
1950-1951 --
Drawings for "American weekly" --
1935-1936 --
Cardinal, cardinal! 1934 --
The Invisible man --
1929-1933 --
Gala and the "angelus' of Millet immediately preceding the arrival of the conic anamorphosis --
1933 --
Napoleon's nose --
1947 --
The Font --
1930 --
Debris of an automobile giving birth to a blind horse biting a telephone --
1938 Toward an imperial classicism --
First thinking machine 1966 --
Surrealist poster --
1934 --
Future martyr of supersonic waves 1940-1950 --
Thirst --
1965 --
Place des Vosges, Paris 1958 --
Dream of Mohammed 1961-1962 --
Gustave Moreau --
Salome dancing before Herod c. 1870 --
Tuna fishing --
1966-1967 --
Masquerading character in the act of pinning up a butterfly --
1965 --
Photograph of Dali in front of "tuna fishing" --
Port Lligat, 1967 --
Self-portrait --
1954 --
Chronological Index --
Sixty-four years of Dalinian continuity.
Other Titles: Dalí de Draeger.
Responsibility: Edited and arranged by Max Gérard. Translated by Eleanor R. Morse.

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