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The dead

Autor Kevin Barry
Vydavatel: Cork, Ire. : Cork University Press in association with the Film Institute of Ireland, 2001.
Edice: Ireland into film.
Vydání/formát:   book : EnglishZobrazit všechny vydání a formáty
Databáze:WorldCat
Zhrnutí:
"In a letter to his brother in 1906, James Joyce confessed: 'Sometimes thinking of Ireland it seems to me that I have been unnecessarily harsh [...] I have not been just to its beauty'." "One reason for the composition of The Dead in 1907 was to compensate for this injustice and to add a new and quite different conclusion to his collection of short stories, Dubliners. Why Joyce felt compelled to change his view of  Read more...
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Detaily

Žánr/forma: Film adaptations
Doplňující formát: Online version:
Barry, Kevin, 1950-
Dead.
Cork, Ire. : Cork University Press in association with the Film Institute of Ireland, 2001
(OCoLC)604870996
Online version:
Barry, Kevin, 1950-
Dead.
Cork, Ire. : Cork University Press in association with the Film Institute of Ireland, 2001
(OCoLC)607852708
Osoba: John Huston; James Joyce
Typ dokumentu: Book
Všichni autoři/tvůrci: Kevin Barry
ISBN: 1859182852 9781859182857
OCLC číslo: 48256685
Popis: 117 p. : ill. ; 19 cm.
Název edice: Ireland into film.
Odpovědnost: Kevin Barry.

Anotace:

"In a letter to his brother in 1906, James Joyce confessed: 'Sometimes thinking of Ireland it seems to me that I have been unnecessarily harsh [...] I have not been just to its beauty'." "One reason for the composition of The Dead in 1907 was to compensate for this injustice and to add a new and quite different conclusion to his collection of short stories, Dubliners. Why Joyce felt compelled to change his view of Ireland, and how his narrative technique evolved to accommodate this change, becomes one of the focal points for this illuminating study. Furthermore, why John Huston felt compelled to adapt The Dead, and how he did so, provides another enlightening context." "Although eighty years separate Huston's film from Joyce's text, the presence of Joyce's story can be found earlier in European cinema, in Roberto Rossellini's Voyage in Italy (1953). Kevin Barry explores the extraordinary relationships between these three works and the radically different aesthetics of fidelity and infidelity practised by these exemplary artists of the twentieth century."--BOOK JACKET.

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This title has been reviewed jointly with "This Other Eden," by Fidelma Farley," and "December Bride." "These three concise monographs initiate a collaboration between Cork University and the Irish Read more...

 
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Propojená data


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