passa ai contenuti
The dead Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

The dead

Autore: Kevin Barry
Editore: Cork, Ire. : Cork University Press in association with the Film Institute of Ireland, 2001.
Serie: Ireland into film.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"In a letter to his brother in 1906, James Joyce confessed: 'Sometimes thinking of Ireland it seems to me that I have been unnecessarily harsh [...] I have not been just to its beauty'." "One reason for the composition of The Dead in 1907 was to compensate for this injustice and to add a new and quite different conclusion to his collection of short stories, Dubliners. Why Joyce felt compelled to change his view of  Per saperne di più…
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Genere/forma: Film adaptations
Informazioni aggiuntive sul formato: Online version:
Barry, Kevin, 1950-
Dead.
Cork, Ire. : Cork University Press in association with the Film Institute of Ireland, 2001
(OCoLC)604870996
Online version:
Barry, Kevin, 1950-
Dead.
Cork, Ire. : Cork University Press in association with the Film Institute of Ireland, 2001
(OCoLC)607852708
Persona incaricata: John Huston; James Joyce
Tipo documento: Book
Tutti gli autori / Collaboratori: Kevin Barry
ISBN: 1859182852 9781859182857
Numero OCLC: 48256685
Descrizione: 117 p. : ill. ; 19 cm.
Titolo della serie: Ireland into film.
Responsabilità: Kevin Barry.

Abstract:

"In a letter to his brother in 1906, James Joyce confessed: 'Sometimes thinking of Ireland it seems to me that I have been unnecessarily harsh [...] I have not been just to its beauty'." "One reason for the composition of The Dead in 1907 was to compensate for this injustice and to add a new and quite different conclusion to his collection of short stories, Dubliners. Why Joyce felt compelled to change his view of Ireland, and how his narrative technique evolved to accommodate this change, becomes one of the focal points for this illuminating study. Furthermore, why John Huston felt compelled to adapt The Dead, and how he did so, provides another enlightening context." "Although eighty years separate Huston's film from Joyce's text, the presence of Joyce's story can be found earlier in European cinema, in Roberto Rossellini's Voyage in Italy (1953). Kevin Barry explores the extraordinary relationships between these three works and the radically different aesthetics of fidelity and infidelity practised by these exemplary artists of the twentieth century."--BOOK JACKET.

Commenti

Recensioni editoriali

Sinossi editore

This title has been reviewed jointly with "This Other Eden," by Fidelma Farley," and "December Bride." "These three concise monographs initiate a collaboration between Cork University and the Irish Per saperne di più…

 
Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/48256685>
library:oclcnum"48256685"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/48256685>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"2001"
schema:exampleOfWork<http://worldcat.org/entity/work/id/36990323>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"The dead"@en
schema:numberOfPages"117"
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/48256685>
schema:reviewBody""In a letter to his brother in 1906, James Joyce confessed: 'Sometimes thinking of Ireland it seems to me that I have been unnecessarily harsh [...] I have not been just to its beauty'." "One reason for the composition of The Dead in 1907 was to compensate for this injustice and to add a new and quite different conclusion to his collection of short stories, Dubliners. Why Joyce felt compelled to change his view of Ireland, and how his narrative technique evolved to accommodate this change, becomes one of the focal points for this illuminating study. Furthermore, why John Huston felt compelled to adapt The Dead, and how he did so, provides another enlightening context." "Although eighty years separate Huston's film from Joyce's text, the presence of Joyce's story can be found earlier in European cinema, in Roberto Rossellini's Voyage in Italy (1953). Kevin Barry explores the extraordinary relationships between these three works and the radically different aesthetics of fidelity and infidelity practised by these exemplary artists of the twentieth century."--BOOK JACKET."
schema:url
schema:workExample

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.