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Debating American modernism : Stieglitz, Duchamp, and the New York avant-garde

저자: Debra Bricker BalkenJay BochnerAlfred StieglitzMarcel DuchampGeorgia O'Keeffe Museum.모든 저자
출판사: New York, NY : American Federation of Arts : Distributed Art Publishers, 2003.
판/형식:   Print book : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
"From the crossfire between Marcel Duchamp and Alfred Stieglitz and their respective circles there emerged what Debra Bricker Balken calls "a critical reformulation of modernism, one that imprinted the direction of subsequent American art." Balken traces the fascinating threads of the debate between Duchamp and Stieglitz and their respective camps through the 1910s and '20s, and also addresses the sexualized imagery  더 읽기…
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상세정보

장르/형태: Exhibition catalogs
History
Exhibitions
Expositions
추가적인 물리적 형식: Online version:
Balken, Debra Bricker.
Debating American modernism.
New York, NY : American Federation of Arts : Distributed Art Publishers, 2003
(OCoLC)606847747
명시된 사람: Alfred Stieglitz; Marcel Duchamp; Alfred Stieglitz; Marcel Duchamp; Jean Crotti; Marsden Hartley; Man Ray; Georgia O'Keeffe; Francis Picabia; Frank Stella; Alfred Stieglitz; Marcel Duchamp; Marcel Duchamp; Alfred Stieglitz
문서 형식:
모든 저자 / 참여자: Debra Bricker Balken; Jay Bochner; Alfred Stieglitz; Marcel Duchamp; Georgia O'Keeffe Museum.; Des Moines Art Center.; Terra Museum of American Art.
ISBN: 1885444249 9781885444240 1891024493 9781891024498
OCLC 번호: 49991403
메모: Exhibition itinerary: Georgia O'Keeffe Museum, Santa Fe, New Mexico, January 24-April 20, 2003; Des Moines Art Center, Des Moines, Iowa, May 10-August 3, 2003; Terra Museum of American Art, Chicago, Illinois, August 29 -November 30, 2003.
설명: 189 p. : ill. (chiefly col.) ; 23 cm.
내용: Debating American Modernism: Stieglitz, Duchamp, and the New York Avant-Garde / Debra Bricker Balken --
Eros Eyesore, or the Ideal and the Ideatic / Jay Bochner.
다른 제목 Stieglitz, Duchamp, and the New York avant-garde
책임: Debra Bricker Balken ; with an essay by Jay Bochner.

초록:

"From the crossfire between Marcel Duchamp and Alfred Stieglitz and their respective circles there emerged what Debra Bricker Balken calls "a critical reformulation of modernism, one that imprinted the direction of subsequent American art." Balken traces the fascinating threads of the debate between Duchamp and Stieglitz and their respective camps through the 1910s and '20s, and also addresses the sexualized imagery that appears in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed factions. Jay Bochner provides an absorbing analysis of the artists' respective violations of American expectations about art." "Debating American Modernism includes reproductions of work by artists from both factions, from Arthur Dove, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley, as well as by a group who melded the concerns of each, among them, Charles Demuth, Charles Sheeler, John Storrs, and Stuart Davis."--Jacket.

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