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Debating American modernism : Stieglitz, Duchamp, and the New York avant-garde

Author: Debra Bricker BalkenJay BochnerMarcel DuchampGeorgia O'Keeffe Museum.Des Moines Art Center.All authors
Publisher: New York, NY : American Federation of Arts : Distributed Art Publishers, 2003.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"From the crossfire between Marcel Duchamp and Alfred Stieglitz and their respective circles there emerged what Debra Bricker Balken calls "a critical reformulation of modernism, one that imprinted the direction of subsequent American art." Balken traces the fascinating threads of the debate between Duchamp and Stieglitz and their respective camps through the 1910s and '20s, and also addresses the sexualized imagery  Read more...
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Genre/Form: Exhibitions
Named Person: Alfred Stieglitz; Marcel Duchamp
Document Type: Book
All Authors / Contributors: Debra Bricker Balken; Jay Bochner; Marcel Duchamp; Georgia O'Keeffe Museum.; Des Moines Art Center.; Terra Museum of American Art.
ISBN: 1885444249 9781885444240 1891024493 9781891024498
OCLC Number: 889972632
Notes: Exhibition itinerary: Georgia O'Keeffe Museum, Santa Fe, New Mexico, January 24-April 20, 2003; Des Moines Art Center, Des Moines, Iowa, May 9-August 1, 2003; Terra Museum of American Art, Chicago, Illinois, August 29 -November 30, 2003.
Description: 84 pages
Contents: Debating American Modernism: Stieglitz, Duchamp, and the New York Avant-Garde / Debra Bricker Balken --
Eros Eyesore, or the Ideal and the Ideatic / Jay Bochner.
Other Titles: Stieglitz, Duchamp, and the New York avant-garde
Responsibility: Debra Bricker Balken ; with an essay by Jay Bochner.

Abstract:

"From the crossfire between Marcel Duchamp and Alfred Stieglitz and their respective circles there emerged what Debra Bricker Balken calls "a critical reformulation of modernism, one that imprinted the direction of subsequent American art." Balken traces the fascinating threads of the debate between Duchamp and Stieglitz and their respective camps through the 1910s and '20s, and also addresses the sexualized imagery that appears in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed factions. Jay Bochner provides an absorbing analysis of the artists' respective violations of American expectations about art." "Debating American Modernism includes reproductions of work by artists from both factions, from Arthur Dove, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley, as well as by a group who melded the concerns of each, among them, Charles Demuth, Charles Sheeler, John Storrs, and Stuart Davis."--BOOK JACKET.

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