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Debussy and the theatre Anteprima di questo documento
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Debussy and the theatre

Autore: Robert Orledge
Pubblicazione: Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1982.
Edizione/Formato:   Libro a stampa : Biography : EnglishVedi tutte le edizioni e i formati
Sommario:

Debussy and the Theatre means, in effect, 'Debussy and Pellias et Milisande', the opera both established Debussy's mature style and changed the course of operatic history.

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Dettagli

Genere/formato: Criticism, interpretation, etc
Persona nominata: Claude Debussy; Claude Debussy; Claude Debussy; Claude Debussy; Claude (1862-1918) Debussy; Claude Debussy; Claude Debussy; Claude Debussy
Tipo materiale: Biography, Risorsa internet
Tipo documento Libro, Risorsa Internet
Tutti gli autori / Collaboratori: Robert Orledge
ISBN: 0521228077 9780521228077
Numero OCLC: 8219933
Note: Includes indexes.
Descrizione: xvii, 383 pages : illustrations, portraits, music, facsimiles ; 24 cm
Contenuti: 1. Introduction; Part I. The Operas: 2. Before Pelleas: Axel, Rodrigue et Chimene and other early projects, including Diane au bois; 3. Pelleas et Mellsande (1893-5, 1901-2); 4. After Pelleas: the Poe operas (Le diable daps le beffroi, La chute de la Maison Usher); Part II. The Ballets: 5. Khamma (1911-13); 6. Nijinsky and Diaghilev's Ballets Russes (1909-13); 7. La boite a joujoux (1913); 8. The Alhambra Theatre: No-ja-li or Le palais du silence and Printemps (1913-14); 9. Crimen amoris, later Fetes galantes (1912-15); Part III. Incidental Music For The Theatre: 10. Le martyre de Saint Sebastien (1911); 11. The remaining incidental music (1899-1913) and the plays written in collaboration with Rene Peter; Part IV. Incomplete And Unstarted Projects; 12. As you like it; Lout's, Segalen and the projects from Pelleas onwards (1895-1917); Part V. In Perspective: 13. Debussy in and about the theatre: some observations and conclusions.
Responsabilità: Robert Orledge.
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