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The defence of tradition in Brazilian popular music : politics, culture, and the creation of música popular brasileira

Author: Sean Stroud
Publisher: Aldershot, Hants, England ; Burlington, VT : Ashgate, ©2008.
Series: Ashgate popular and folk music series.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"Sean Stroud examines how and why Musica Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long. He emphasizes the importance of musical nationalism as an underlying ideology to discussions about Brazilian popular music since the 1920s, and the key debate on so-called 'cultural invasion' in Brazil. The  Read more...
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Stroud, Sean, 1956-
Defence of tradition in Brazilian popular music.
Aldershot, Hants, England ; Burlington, VT : Ashgate, ©2008
(OCoLC)891450020
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Sean Stroud
ISBN: 9780754663430 0754663434
OCLC Number: 167500762
Description: ix, 215 pages ; 24 cm.
Contents: Musical nationalism and the cultural invasion debate --
Inventing the idea of MPB --
Television and popular music --
Cultural imperialism, globalisation, and the Brazilian record industry --
The state as cultural mediator: the Política Nacional de Cultura, Funarte and the Projeto Pixinguinha --
Musical mapping: locating and defending the regional --
Reconsidering musical tradition: música do Brasil and Rumos Itaú Cultural Música.
Series Title: Ashgate popular and folk music series.
Responsibility: Sean Stroud.
More information:

Abstract:

Examines how and why Musica Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long.  Read more...

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'Stroud's book is the outcome of serious research...[It] is highly recommendable for its penetrating analysis of some key discourses that have been shaping public policies regarding popular music in Read more...

 
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    schema:reviewBody ""Sean Stroud examines how and why Musica Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long. He emphasizes the importance of musical nationalism as an underlying ideology to discussions about Brazilian popular music since the 1920s, and the key debate on so-called 'cultural invasion' in Brazil. The roles of those responsible for the construction of the idea of MPB are examined in detail." "Stroud analyses the increasingly close relationship that has developed between television and popular music in Brazil with particular reference to the post-1972 televised song festivals. He goes on to consider the impact of the Brazilian record industry in the light of theories of cultural imperialism and globalization and also evaluates governmental intervention relating to popular music in the 1970s. The importance of folklore and tradition in popular music that is present in both Mario de Andrade and Marcus Pereira's efforts to 'musically map' Brazil is clearly emphasized. Stroud contrasts these two projects with Hermano Vianna and Itau Cultural's similar ventures at the end of the twentieth century that took a totally different view of musical 'authenticity' and tradition." "Stroud concludes that the defence of musical traditions in Brazil is inextricably bound up with nationalistic sentiments and a desire to protect and preserve. MPB is the musical expression of the Brazilian middle class and has traditionally acted as a cultural icon because it associated with notions of 'quality' by certain sectors of the media."--Jacket." ;
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