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Descent : Poems. Titelvorschau
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Descent : Poems.

Verfasser/in: Kathryn Stripling Byer
Verlag: Baton Rouge : LSU Press, 2012.
Ausgabe/Format   E-Book : Dokument : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
Navigating the dangerous currents of family and race, Kathryn Stripling Byer's sixth poetry collection confronts the legacy of southern memory, where too often ""it's safer to stay blind.""Beginning with ""Morning Train,"" a response to Georgia blues musician Precious Bryant, Byer sings her way through a search for identity, recalling the hardscrabble lives of her family in the sequence ""Drought Days,"" and facing  Weiterlesen…
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Gattung/Form: Electronic books
Physisches Format Print version:
Byer, Kathryn Stripling
Descent : Poems
Baton Rouge : LSU Press,c2012
Medientyp: Dokument, Internetquelle
Dokumenttyp: Internet-Ressource, Computer-Datei
Alle Autoren: Kathryn Stripling Byer
ISBN: 9780807147511 0807147516
OCLC-Nummer: 860626530
Anmerkungen: Description based upon print version of record.
Beschreibung: 1 online resource (68 p.)
Inhalt: Cover; Contents; Morning Train; PART I; At the End; Retablo; Gone; Down; My Grandfather's Cattle Gap; Drought Days; Outside; Lost; 1. Dirt Road; 2. Sleep; 3. Haunt; PART II; Southern Fictions; Gone Again; Shadow Sister; Gladiolas; What I See Now; PART III; Over; Blackberry Road; First Presbyterian; Some Rock Remembers; Big Tease; Night Fishing; Glorified; Thinking Myself Home; Beginning at the Bottom; Easter Afternoon; Last Light; Here

Abstract:

Navigating the dangerous currents of family and race, Kathryn Stripling Byer's sixth poetry collection confronts the legacy of southern memory, where too often ""it's safer to stay blind.""Beginning with ""Morning Train,"" a response to Georgia blues musician Precious Bryant, Byer sings her way through a search for identity, recalling the hardscrabble lives of her family in the sequence ""Drought Days,"" and facing her inheritance as a white southern woman growing up amid racial division and violence. The poet encounters her own naive complicity in southern racism and challenges the.

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