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Desire and dramatic form in early modern England

Author: Judith Deborah Haber
Publisher: Cambridge ; New York : Cambridge University Press, 2009.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:

This wide-ranging study investigates the intersections of erotic desire and dramatic form in the early modern period.

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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Haber, Judith Deborah.
Desire and dramatic form in early modern England.
Cambridge ; New York : Cambridge University Press, 2009
(DLC) 2009002061
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Judith Deborah Haber
ISBN: 9780511518010 0511518013 9780511517525 0511517521
OCLC Number: 647766615
Description: 1 online resource (xi, 212 pages)
Contents: Cover --
Half-title --
Title --
Copyright --
Contents --
Acknowledgments --
Textual note --
Introduction: consummate play --
Part I "Come ... and play": Christopher Marlowe, beside the point --
Chapter 1 Genre, gender, and sexuality in "The Passionate Shepherd" and Tamburlaine --
Delights of the mind --
8220;Vaunts substantial8221; --
Chapter 2 Submitting to history: Edward II --
Chapter 3 "True-loves blood": narrative and desire in Hero and Leander --
Chapter 4 "Thus with a kiss": a Shakespearean interlude --
Part II Desiring women in the seventeenth century --
Chapter 5 "How strangely does himself work to undo him": (male) sexuality in The Revenger's Tragedy --
Chapter 6 "My body bestow upon my women": the space of the feminine in The Duchess of Malfi --
Chapter 7 "I(t) could not choose but follow": erotic logic in The Changeling --
Chapter 8 "Old men's tales": legacies of the father in 'Tis Pity She's a Whore --
Chapter 9 The passionate shepherdess: the case of Margaret Cavendish --
8220;No plots, nor designs, nor subtil contrivances8221; --
Young virgins tales --
Afterword: for(e)play --
Notes --
INTRODUCTION: CONSUMMATE PLAY --
GENRE, GENDER, AND SEXUALITY IN 8220;THE PASSIONATE SHEPHERD8221; AND TAMBURLAINE --
SUBMITTING TO HISTORY: EDWARD II --
8220;TRUE-LOVES BLOOD8221;: NARRATIVE AND DESIRE IN HERO AND LEANDER --
8220;THUS WITH A KISS8221;: A SHAKESPEAREAN INTERLUDE --
8220;HOW STRANGELY DOES HIMSELF WORK TO UNDO HIM8221;: (MALE) SEXUALITY IN THE REVENGERS TRAGEDY --
8220;MY BODY BESTOW UPON MY WOMEN8221;: THE SPACE OF THE FEMININE IN THE DUCHESS OF MALFI --
8220;I(T) COULD NOT CHOOSE BUT FOLLOW8221;: EROTIC LOGIC IN THE CHANGELING --
8220;OLD MENS TALES8221;: LEGACIES OF THE FATHER IN TIS PITY SHES A WHORE --
THE PASSIONATE SHEPHERDESS: THE CASE OF MARGARET CAVENDISH --
AFTERWORD: FOR(E)PLAY --
Works cited --
Index.
Responsibility: Judith Haber.

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