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Diego Rivera : as epic modernist

Author: David Craven; Diego Rivera
Publisher: New York : G.K. Hall ; London : Prentice Hall International, 1997.
Series: World artists series.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
Art historian David Craven presents a sustained and highly original interpretation of Diego Rivera's particular version of "epic modernism," while offering a probing and coherent account of the artist's lifelong political activism. Drawing on both new primary documents and the best of recent secondary literature, Craven considers what Rivera's work in the public sphere has come to signify, and examines the artist's
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Craven, David, 1951-
Diego Rivera.
New York : G.K. Hall ; London : Prentice Hall International, 1997
(OCoLC)656688288
Named Person: Diego Rivera; Diego Rivera; Diego Rivera; Diego Rivera
Document Type: Book
All Authors / Contributors: David Craven; Diego Rivera
ISBN: 0816105375 9780816105373
OCLC Number: 37043992
Description: xiii, 251 pages : illustrations ; 24 cm.
Contents: Ch. 1. The Renovation of Classicism: Rivera's First Years Through Studies in San Carlos and His Trip to Spain --
Ch. 2. Diego Rivera as "Alternative Modernist" in Europe, 1911-21 --
Ch. 3. Diego Rivera and the Beginning of the Mexican Mural Renaissance in the 1920s --
Ch. 4. Humanity at the Crossroads: Rivera From the Late 1920s Through the 1930s --
Ch. 5. Rivera's Last Years: The 1940s and 1950s --
App. "Diego Rivera, Painter of America" (1921) / David Alfaro Siqueiros --
App. "Edward Weston and Tina Modotti" (1926) / Diego Rivera --
App. "Frida Kahlo and the Historical Preconditions for Modern Mexican Art" (1943) / Diego Rivera.
Series Title: World artists series.
Responsibility: by David Craven.

Abstract:

Art historian David Craven presents a sustained and highly original interpretation of Diego Rivera's particular version of "epic modernism," while offering a probing and coherent account of the artist's lifelong political activism. Drawing on both new primary documents and the best of recent secondary literature, Craven considers what Rivera's work in the public sphere has come to signify, and examines the artist's ongoing legacy for "post-colonial" discourse.

The study features a careful formal analysis of Rivera's most important paintings. Besides addressing his rediscovery of pre-Columbian art, Craven analyzes the artist's use of narrative, iconographic programs and the fresco technique for most well-known mural cycles, which continued to draw structurally on his early avant-garde work.

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