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Disasters of war : Callot, Goya, Dix

Author: Antony GriffithsJuliet Wilson BareauJohn WillettNational Touring Exhibitions.Hayward Gallery.All authors
Publisher: Manchester : National Touring Exhibitions, 1998.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"Disasters of War examines three great series of war etchings: Jacques Callot's Miseries of War, Goya's The Disasters of War and Otto Dix's War. Although the etchings were created in different centuries, and are stylistically unalike, they are links in a chain: Callot's influence on Goya is reflected in the latter's choice of title (a deliberate echo) and Dix shows his debt to Goya by quoting from him directly in  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Additional Physical Format: Online version:
Disasters of war.
Manchester : National Touring Exhibitions, 1998
(OCoLC)645889355
Named Person: Jacques Callot; Francisco Goya; Otto Dix; Jacques Callot; Otto Dix; Francisco Goya
Document Type: Book
All Authors / Contributors: Antony Griffiths; Juliet Wilson Bareau; John Willett; National Touring Exhibitions.; Hayward Gallery.; British Museum. Department of Prints and Drawings.; Glasgow Art Gallery and Museum.
ISBN: 1853321699 9781853321696
OCLC Number: 39046063
Notes: On reverse of t.p.: "A National Touring Exhibition organised by the Hayward Gallery, London ... in collaboration with the Department of Prints and Drawings, British Museum.'.
Catalog of an exhibition held at Glasgow Art Gallery and Museum, Mar. 7-Apr. 19, 1998, and at 5 other venues through March 1999.
Description: 96 pages : illustrations ; 22 cm
Contents: Callot : miseries of war / Antony Griffiths --
Goya : The disasters of war / Juliet Wilson-Bareau --
Dix : War / John Willett.
Responsibility: [authors are Antony Griffiths, Juliet Wilson-Bareau, John Willett].

Abstract:

"Disasters of War examines three great series of war etchings: Jacques Callot's Miseries of War, Goya's The Disasters of War and Otto Dix's War. Although the etchings were created in different centuries, and are stylistically unalike, they are links in a chain: Callot's influence on Goya is reflected in the latter's choice of title (a deliberate echo) and Dix shows his debt to Goya by quoting from him directly in one image. These prints are cornerstones of a vital tradition in European war art, an art of realism and protest." "Each series is the subject of an authoritative essay, placing it in its historical context."--Jacket.

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