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Disegno del sontuoso sagro apparato ordinato nella tribuna della basilica di S. Lorenzo, in Damaso per il sepolcro di n.ro sig.re Giesu Christo nella settimana santa dall'emo., e rmo. sig.r cardinale Otthoboni vescovo di Sabina, vice-cancelliere di S. Chiesa, e commendatore della sudetta basilica l'anno bissestile 1728 Preview this item
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Disegno del sontuoso sagro apparato ordinato nella tribuna della basilica di S. Lorenzo, in Damaso per il sepolcro di n.ro sig.re Giesu Christo nella settimana santa dall'emo., e rmo. sig.r cardinale Otthoboni vescovo di Sabina, vice-cancelliere di S. Chiesa, e commendatore della sudetta basilica l'anno bissestile 1728

Author: Filippo Vasconi; Alessandro Mauri
Publisher: [1728]
Edition/Format:   Image : Graphic : Original artwork : Picture : Italian
Publication:Collection of festival prints.
Summary:
The print depicts a macchina of the Holy Sepulcher, designed by the architect Alessandro Mauri to be displayed in the tribune of the Church of San Lorenzo in Damaso in Rome during the Holy Week of 1728.
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Details

Genre/Form: Prints
Etchings
Allegories
Pictorial works
Named Person: Pietro Ottoboni; Jesus Christ
Material Type: Graphic, Original artwork, Picture
Document Type: Visual material
All Authors / Contributors: Filippo Vasconi; Alessandro Mauri
OCLC Number: 84548263
Notes: The ephemeral structure was commissioned by Cardinal Pietro Ottoboni, bishop of Sabina, vice-chancellor of the Holy Roman Church, and titular of San Lorenzo in Damaso.
Description: 1 print : etching ; plate mark 53.2 x 37.8 cm., on sheet 57.5 x 44 cm.
Other Titles: Operatus est salutem in medio terrae
Responsibility: Alessandro Mauri delin. ; Filippo Vasconi sculp.

Abstract:

The print depicts a macchina of the Holy Sepulcher, designed by the architect Alessandro Mauri to be displayed in the tribune of the Church of San Lorenzo in Damaso in Rome during the Holy Week of 1728.

The sacrifice of Isaac by Abraham is represented above the Holy Sepulcher, attended by two angels and set in an illuminated grotto. Four female figures, possibly personifications of the four parts of the world, are seated before the grotto, as are slaves and somnolent Roman soldiers.

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Primary Entity

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