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Divertimento

Author: Michel PiccoliJane BirkinEmmanuelle BéartPascal BonitzerChristine LaurentAll authors
Publisher: New York : New Yorker Video, 1995.
Series: Great directors (New Yorker Video (Firm))
Edition/Format:   VHS video : VHS tape   Visual material : FrenchView all editions and formats
Database:WorldCat
Summary:
Director Jacques Rivette has created a two-hour version of his four hour film "La belle noiseuse". Frenhofer, a painter is frustrated by his inability to finish the canvas that was to be his masterpiece. He enlists the aid of Marianne as a model because of her energy, spontaneity and creativity.
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Details

Genre/Form: Drama
Videotapes
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Michel Piccoli; Jane Birkin; Emmanuelle Béart; Pascal Bonitzer; Christine Laurent; Jacques Rivette; Honoré de Balzac; Pierre Grise Productions.; George Reinhart Productions.; France 3 cinéma (Firm)
ISBN: 1567300979 9781567300970
OCLC Number: 32750509
Language Note: In French with enhanced English subtitles.
Notes: Based on the novella Le chef-d'oeuvre d'inconnu by Honore Balzac.
Originally produced as a motion picture in 1991 as La belle noiseuse, divertimento.
Credits: Sound, Florian Eidenbenz ; cinematography, William Lubtchansky ; art direction, Manu De Chauvigny ; executive producer, Pierre Grise Productions.
Cast: Michel Piccoli, Jane Birkin, Emmanuelle Béart, Marianne Denicourt, David Bursztein, Gilles Arbona, and the hand of painter Bernard Dufour.
Description: 1 videocassette (126 min.) : sd., col. ; 1/2 in.
Details: VHS.
Series Title: Great directors (New Yorker Video (Firm))
Other Titles: Belle noiseuse, divertimento.
Responsibility: Pierre Grise Productions, George Reinhart Productions présentent en coproduction avec FR3 Films Production ; Director, Jacques Rivette ; screenplay, Pascal Bonitzer, Christine Laurent and Jacques Rivette.

Abstract:

Director Jacques Rivette has created a two-hour version of his four hour film "La belle noiseuse". Frenhofer, a painter is frustrated by his inability to finish the canvas that was to be his masterpiece. He enlists the aid of Marianne as a model because of her energy, spontaneity and creativity.

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Linked Data


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