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Domination and the arts of resistance : hidden transcripts

Author: James C Scott
Publisher: New Haven : Yale University Press, ©1990.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Confrontations between the powerless and the powerful are laden with deception--the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, labourers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Scott, James C.
Domination and the arts of resistance.
New Haven : Yale University Press, ©1990
(DLC) 90035207
(OCoLC)21375275
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: James C Scott
ISBN: 0585377510 9780585377513 9780300153569 0300153562
OCLC Number: 48139388
Description: 1 online resource (xviii, 251 pages)
Contents: Behind the official story --
Domination, acting, and fantasy --
The public transcript as a respectable performance --
False consciousness or laying it on thick? --
Making social space for a dissident subculture --
Voice under domination : the arts of political disguise --
The infrapolitics of subordinate groups --
A saturnalia of power : the first public declaration of the hidden transcript.
Responsibility: James C. Scott.

Abstract:

Confrontations between the powerless and the powerful are laden with deception--the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, labourers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule that cannot be openly avowed. In this book, the author, a social scientist, offers a discussion both of the public roles played by the powerful and powerless and the mocking, vengeful tone they display off stage--what he terms their public and hidden transcripts. Using examples from the literature, history, and politics of cultures around the world, the author examines the many guises this interaction has taken throughout history and the tensions and contradictions it reflects. The author describes the ideological resistance of subordinate groups--their gossip, folktales, songs, jokes, and theater--their use of anonymity and ambiguity. He also analyzes how ruling elites attempt to convey an impression of hegemony through such devices as parades, state ceremony, and rituals of subordination and apology. Finally he identifies--with quotations that range from the recollections of American slaves to those of Russian citizens during the beginnings of Gorbachev's glasnost campaign--the political electricity generated among oppressed groups when, for the first time, the hidden transcript is spoken directly and publicly in the face of power.

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