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Dostoevsky and English modernism, 1900-1930

Autore: Peter Kaye
Editore: Cambridge, U.K. ; New York : Cambridge University Press, 1999.
Edizione/Formato:   eBook : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a  Per saperne di più…
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Dettagli

Genere/forma: Electronic books
Criticism, interpretation, etc
Informazioni aggiuntive sul formato: Print version:
Kaye, Peter, 1952-
Dostoevsky and English modernism, 1900-1930.
Cambridge, U.K. ; New York : Cambridge University Press, 1999
(DLC) 98038085
(OCoLC)39633413
Persona incaricata: Fyodor Dostoyevsky; Fyodor Dostoyevsky; Fyodor Dostoyevsky
Tipo materiale: Risorsa internet
Tipo documento: Internet Resource, Computer File
Tutti gli autori / Collaboratori: Peter Kaye
ISBN: 051100558X 9780511005589
Numero OCLC: 47009789
Descrizione: 1 online resource (viii, 248 pages)
Contenuti: Introduction --
Prophetic rage and rivalry: D. H. Lawrence --
A modernist ambivalence: Virginia Woolf --
Sympathy, truth, and artlessness: Arnold Bennett --
Keeping the monster at bay: Joseph Conrad --
Dostoevsky and the gentleman-writers: E. M. Forster, John Galsworthy, and Henry James.
Responsabilità: Peter Kaye.

Abstract:

"The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet, and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel."--Jacket.

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