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Dostoevsky and English modernism, 1900-1930

著者: Peter Kaye
出版: Cambridge, U.K. ; New York : Cambridge University Press, 1999.
エディション/フォーマット:   電子書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a  続きを読む
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ジャンル/形式: Electronic books
Criticism, interpretation, etc
その他のフォーマット: Print version:
Kaye, Peter, 1952-
Dostoevsky and English modernism, 1900-1930.
Cambridge, U.K. ; New York : Cambridge University Press, 1999
(DLC) 98038085
(OCoLC)39633413
関連の人物: Fyodor Dostoyevsky; Fyodor Dostoyevsky; Fyodor Dostoyevsky
資料の種類: インターネット資料
ドキュメントの種類: インターネットリソース, コンピューターファイル
すべての著者/寄与者: Peter Kaye
ISBN: 051100558X 9780511005589
OCLC No.: 47009789
物理形態: 1 online resource (viii, 248 pages)
コンテンツ: Introduction --
Prophetic rage and rivalry: D. H. Lawrence --
A modernist ambivalence: Virginia Woolf --
Sympathy, truth, and artlessness: Arnold Bennett --
Keeping the monster at bay: Joseph Conrad --
Dostoevsky and the gentleman-writers: E. M. Forster, John Galsworthy, and Henry James.
責任者: Peter Kaye.

概要:

"The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet, and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel."--Jacket.

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