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Dostoevsky and English modernism, 1900-1930

Auteur: Peter Kaye
Uitgever: Cambridge, U.K. ; New York : Cambridge University Press, 1999.
Editie/Formaat:   eBoek : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
"The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a  Meer lezen...
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Details

Genre/Vorm: Electronic books
Criticism, interpretation, etc
Aanvullende fysieke materiaalsoort: Print version:
Kaye, Peter, 1952-
Dostoevsky and English modernism, 1900-1930.
Cambridge, U.K. ; New York : Cambridge University Press, 1999
(DLC) 98038085
(OCoLC)39633413
Genoemd persoon: Fyodor Dostoyevsky; Fyodor Dostoyevsky; Fyodor Dostoyevsky
Genre: Internetbron
Soort document: Internetbron, Computerbestand
Alle auteurs / medewerkers: Peter Kaye
ISBN: 051100558X 9780511005589
OCLC-nummer: 47009789
Beschrijving: 1 online resource (viii, 248 pages)
Inhoud: Introduction --
Prophetic rage and rivalry: D. H. Lawrence --
A modernist ambivalence: Virginia Woolf --
Sympathy, truth, and artlessness: Arnold Bennett --
Keeping the monster at bay: Joseph Conrad --
Dostoevsky and the gentleman-writers: E. M. Forster, John Galsworthy, and Henry James.
Verantwoordelijkheid: Peter Kaye.

Fragment:

"The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet, and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel."--Jacket.

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