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Dostoevsky and English modernism, 1900-1930

Autor: Peter Kaye
Editora: Cambridge, U.K. ; New York : Cambridge University Press, 1999.
Edição/Formato   e-book : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a  Ler mais...
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Detalhes

Gênero/Forma: Electronic books
Criticism, interpretation, etc
Formato Físico Adicional: Print version:
Kaye, Peter, 1952-
Dostoevsky and English modernism, 1900-1930.
Cambridge, U.K. ; New York : Cambridge University Press, 1999
(DLC) 98038085
(OCoLC)39633413
Pessoa Denominada: Fyodor Dostoyevsky; Fyodor Dostoyevsky; Fyodor Dostoyevsky
Tipo de Material: Recurso Internet
Tipo de Documento: Recurso Internet, Arquivo de Computador
Todos os Autores / Contribuintes: Peter Kaye
ISBN: 051100558X 9780511005589
Número OCLC: 47009789
Descrição: 1 online resource (viii, 248 pages)
Conteúdos: Introduction --
Prophetic rage and rivalry: D. H. Lawrence --
A modernist ambivalence: Virginia Woolf --
Sympathy, truth, and artlessness: Arnold Bennett --
Keeping the monster at bay: Joseph Conrad --
Dostoevsky and the gentleman-writers: E. M. Forster, John Galsworthy, and Henry James.
Responsabilidade: Peter Kaye.

Resumo:

"The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy, and James - either admired Dostoevsky or feared him as monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet, and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel."--Jacket.

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