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Dramma Giocoso : four contemporary perspectives on the Mozart/Da Ponte operas

Author: Julian Rushton
Publisher: [Leuven] : Leuven University Press, 2012.
Series: Collected writings of the Orpheus Institute, 10.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
In exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, this collection of studies does not shun approaches that have foundations in established theory, but refracts them through such problems as the tension between operatic tradition and psychological realism, the co-existence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In  Read more...
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Genre/Form: Criticism, interpretation, etc
Named Person: Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Lorenzo Da Ponte; Wolfgang Amadeus Mozart; Wolfgang Amadeus Mozart; Lorenzo Da Ponte
Document Type: Book
All Authors / Contributors: Julian Rushton
ISBN: 9789058678454 9058678458
OCLC Number: 676870353
Description: 143 pages : illustrations, music ; 24 cm.
Contents: 'By their arias shall ye know them' : characterization in aria-based opera / Julian Rushton --
Don Ottavio and the history of the tenor voice / Stefan Rohringer --
Don Giovanni then and now : text and performance / Sergio Durante --
The Act IV finale of Le nozze di Figaro : dramatic and musical construction / James Webster.
Series Title: Collected writings of the Orpheus Institute, 10.
Responsibility: Julian Rushton [and others].

Abstract:

In exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, this collection of studies does not shun approaches that have foundations in established theory, but refracts them through such problems as the tension between operatic tradition and psychological realism, the co-existence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions, but also probe the nature of musical analysis itself.

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