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Drawing now : eight propositions

著者: Laura J Hoptman; Museum of Modern Art (New York, N.Y.)
出版商: New York : Museum of Modern Art, ©2002.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"The art of drawing flourished in the 1990s, and broke significantly from the tenets of twentieth-century modernism. Drawing Now: Eight Propositions surveys this new work, and shows drawing as no less adventurous and aesthetically satisfying than any of the more recent and seemingly more current methods of artmaking today. Carefully executed and highly finished, the drawings explored in this book - which accompanies  再读一些...
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详细书目

类型/形式: Exhibition catalogs
Exhibitions
附加的形体格式: Online version:
Hoptman, Laura J., 1962-
Drawing now.
New York : Museum of Modern Art, ©2002
(OCoLC)606823076
提及的人: John Currin; Paul Noble; Chris Ofili; Elizabeth Peyton; Matthew Ritchie; Shahzia Sikander; David Thorpe; Richard Wright; Kai Althoff; Graham Little; John Currin; Paul Noble; Chris Ofili; Elizabeth Peyton; Matthew Ritchie; Shahzia Sikander; David Thorpe; Richard Wright
文件类型:
所有的著者/提供者: Laura J Hoptman; Museum of Modern Art (New York, N.Y.)
ISBN: 0870703625 9780870703621
OCLC号码: 50301172
注意: Accompanies the exhibition held at the Museum of Modern Art (in its temporary home in Queens, New York), Oct. 17, 2002-Jan. 6, 2003.
描述: 192 pages : color illustrations ; 31 cm
内容: Science and art, nature and artifice --
Ornament and crime: toward decoration --
Drafting an architecture --
Drawing happiness --
Mental maps and metaphysics --
Popular culture and national culture --
Comics and other subcultures --
Fashion, likeness, and allegory --
Conclusion: the emancipation of drawing.
责任: Laura Hoptman.

摘要:

"The art of drawing flourished in the 1990s, and broke significantly from the tenets of twentieth-century modernism. Drawing Now: Eight Propositions surveys this new work, and shows drawing as no less adventurous and aesthetically satisfying than any of the more recent and seemingly more current methods of artmaking today. Carefully executed and highly finished, the drawings explored in this book - which accompanies an exhibition at The Museum of Modern Art (in its temporary home in Queens, New York) in 2002-2003 - are largely representational and descriptive, sometimes with an interest in story-telling. Some show affinities with illustration, fashion, or comic strips; others are closer to industrial and commercial varieties of precision drawing, such as architectural plans and scientific renderings; still others take ideas from the traditions of ornament."--Jacket.

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