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Drawing now : eight propositions

作者: Laura J Hoptman; Museum of Modern Art (New York, N.Y.)
出版商: New York : Museum of Modern Art, ©2002.
版本/格式:   打印圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"The art of drawing flourished in the 1990s, and broke significantly from the tenets of twentieth-century modernism. Drawing Now: Eight Propositions surveys this new work, and shows drawing as no less adventurous and aesthetically satisfying than any of the more recent and seemingly more current methods of artmaking today. Carefully executed and highly finished, the drawings explored in this book - which accompanies  再讀一些...
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詳細書目

類型/形式: Exhibition catalogs
Exhibitions
其他的實體格式: Online version:
Hoptman, Laura J., 1962-
Drawing now.
New York : Museum of Modern Art, ©2002
(OCoLC)606823076
提及的人: John Currin; Paul Noble; Chris Ofili; Elizabeth Peyton; Matthew Ritchie; Shahzia Sikander; David Thorpe; Richard Wright; Kai Althoff; Graham Little; John Currin; Paul Noble; Chris Ofili; Elizabeth Peyton; Matthew Ritchie; Shahzia Sikander; David Thorpe; Richard Wright
文件類型 圖書
所有的作者/貢獻者: Laura J Hoptman; Museum of Modern Art (New York, N.Y.)
ISBN: 0870703625 9780870703621
OCLC系統控制編碼: 50301172
註釋: Accompanies the exhibition held at the Museum of Modern Art (in its temporary home in Queens, New York), Oct. 17, 2002-Jan. 6, 2003.
描述: 192 pages : color illustrations ; 31 cm
内容: Science and art, nature and artifice --
Ornament and crime: toward decoration --
Drafting an architecture --
Drawing happiness --
Mental maps and metaphysics --
Popular culture and national culture --
Comics and other subcultures --
Fashion, likeness, and allegory --
Conclusion: the emancipation of drawing.
責任: Laura Hoptman.

摘要:

"The art of drawing flourished in the 1990s, and broke significantly from the tenets of twentieth-century modernism. Drawing Now: Eight Propositions surveys this new work, and shows drawing as no less adventurous and aesthetically satisfying than any of the more recent and seemingly more current methods of artmaking today. Carefully executed and highly finished, the drawings explored in this book - which accompanies an exhibition at The Museum of Modern Art (in its temporary home in Queens, New York) in 2002-2003 - are largely representational and descriptive, sometimes with an interest in story-telling. Some show affinities with illustration, fashion, or comic strips; others are closer to industrial and commercial varieties of precision drawing, such as architectural plans and scientific renderings; still others take ideas from the traditions of ornament."--Jacket.

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