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Drawing : the line which everything else comes from

Author: Marie-José JaubertAlain JaubertLisa JacobsPalette Production.Musée du Louvre.All authors
Publisher: Princeton, NJ : [Distributed by] Films for the Humanities & Sciences, [2004], ©2003.
Series: Lines, forms, colours.; Making masterpieces.
Edition/Format:   DVD video : Animation : EnglishView all editions and formats
Database:WorldCat
Summary:
This program explains the importance of drawing to different artistic disciplines as it addresses ongoing debates surrounding the representation of space. Drawing tools and materials are presented, and special attention is given to the application of geometry, the principal science of image construction. Classical and Renaissance theories of perspective are considered, as is the progressive disintegration of these  Read more...
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Material Type: Animation, Videorecording
Document Type: Visual material
All Authors / Contributors: Marie-José Jaubert; Alain Jaubert; Lisa Jacobs; Palette Production.; Musée du Louvre.; CNRS Images-Média FEMIS CICT.; France 5.; Centre national de la cinématographie (France); Films for the Humanities & Sciences (Firm)
OCLC Number: 56956758
Notes: Series on container: Making masterpieces : a history of painting technique.
Distribution date from distributor copyright.
Credits: Original music, Marc Billon ; director's assistant, Marie-Noële Gibiat ; photography, Marie Chevais ; sound, François Didio ; editing, Marie-Catherine Miqueau ; executive producer, Paul Saadoun.
Performer(s): Narrated by Lisa Jacobs.
Description: 1 videodisc (26 min.) : sd., col. ; 4 3/4 in.
Details: DVD.
Series Title: Lines, forms, colours.; Making masterpieces.
Other Titles: Line which everything else comes from
Drawing :
Responsibility: written and directed by Marie-José Jaubert, Alain Jaubert ; co-producted by Palette Production, the Louvre Museum, CNRS Images/Media, France 5 ; with the participation of Le Centre National de Cinématographie.

Abstract:

This program explains the importance of drawing to different artistic disciplines as it addresses ongoing debates surrounding the representation of space. Drawing tools and materials are presented, and special attention is given to the application of geometry, the principal science of image construction. Classical and Renaissance theories of perspective are considered, as is the progressive disintegration of these theories by artists of the 19th and 20th centuries.

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