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| Additional Physical Format: | Online version: Traube, Elizabeth G. Dreaming identities. Boulder : Westview Press, 1992 (OCoLC)645722291 |
|---|---|
| Document Type: | Book |
| All Authors / Contributors: |
Elizabeth G Traube |
| ISBN: | 0813313139 9780813313139 0813313147 9780813313146 |
| OCLC Number: | 25410819 |
| Description: | xi, 207 p. ; 24 cm. |
| Contents: | 1. The Return of the Repressed: Lucas and Spielberg's Temple of Doom / Moishe Postone and Elizabeth G. Traube -- 2. Redeeming Images: The Wild Man Comes Home. The Renegade Vet. Innocence Regained. Conclusion: Whose War Was It? -- 3. Secrets of Success in Postmodern Society. Vicissitudes of the Success Hero. Career Training. Finding Fulfillment in Advertising. Struggling Upward. Conclusion -- 4. Transforming Heroes: Hollywood and the Demonization of Women. Workers and Shape-Changers: The Poles of Success Mythology. Corporate Shape-Changers. A Job for Working Men and Women. The Secretary and the Boss from Hell. The Defiant One. Conclusion -- 5. Who Will Do the Caring? Domestic Men and Independent Women in the Movies. |
| Series Title: | Cultural studies. |
| Responsibility: | Elizabeth G. Traube. |
Abstract:
The author relates these representations to two cultural narratives of long duration--the American frontier myth and the myth of success, or the American dream, both of which also figured prominently in the rhetorical themes of Reagan-era politics.
Utilizing structuralism, Marxism, feminist object relations psychoanalysis, and neoformalist film criticism, Traube emphasizes specific aspects of cinematic representations of gender and authority to explore the relationships between culture and politics. Unlike other feminist critics of "patriarchal Hollywood," she stresses the multiple, competing versions of masculinity and femininity constructed in Hollywood movies and the different class positions of their primary, intended audiences.
Attention to particular forms that cultural narratives assume in changing circumstances gives Traube's film analyses a unique sociohistorical dimension, while her focus on narratives used by political elites as well as by moviemakers reveals significant variations in ideology production in different sites.
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Related Subjects:(19)
- Sex role in motion pictures.
- Patriarchy -- United States -- History -- 20th century.
- Middle class -- United States -- Attitudes.
- Femininity -- United States -- History -- 20th century.
- Feminism and motion pictures.
- Motion picture audiences.
- Cinema -- Films (Motion pictures) -- Sociology
- United States
- Films.
- Sekserol.
- Vrouwen.
- Mannen.
- Sociale klassen.
- Beeldvorming.
- Film
- Geschlechterrolle
- Geschichte (1980-1990)
- Soziale Klasse
- USA
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- 8-2-2011(60 items)
by ValouB1234 updated 2011-03-27

