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Droit de suite down under : should Australia introduce a resale royalties scheme for visual artists? Titelvorschau
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Droit de suite down under : should Australia introduce a resale royalties scheme for visual artists?

Verfasser/in: Emily Hudson; Sophie Waller; Intellectual Property Research Institute of Australia.
Verlag: Melbourne, Vic. : The Institute, 2004.
Serien: Intellectual Property Research Institute of Australia working paper, no. 11/04.
Ausgabe/Format   Buch : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
A droit de suite entitles visual artists and their heirs to receive a royalty from the resale of certain works of art. Recently, there have been calls for Australia to introduce a resale royalty right into the Copyright Act. However, academic commentary and empiral research question whether resale royalties achieve their stated aims. In particular, evidence demonstrates that resale royalties tend to accrue to  Weiterlesen…
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Details

Medientyp: Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Emily Hudson; Sophie Waller; Intellectual Property Research Institute of Australia.
ISSN:1447-1795
OCLC-Nummer: 224063584
Anmerkungen: "September 2004"
Beschreibung: 36 p. : ill. ; 21 cm.
Inhalt: 1. Introduction --
2. The status of visual artists in Australia --
3. Rationales and content of a resale royalty right --
4. Will a resale royalty scheme meets its objectives --
5. Alternatives --
6. Conclusion.
Serientitel: Intellectual Property Research Institute of Australia working paper, no. 11/04.
Verfasserangabe: Emily Hudson and Sophie Waller.

Abstract:

A droit de suite entitles visual artists and their heirs to receive a royalty from the resale of certain works of art. Recently, there have been calls for Australia to introduce a resale royalty right into the Copyright Act. However, academic commentary and empiral research question whether resale royalties achieve their stated aims. In particular, evidence demonstrates that resale royalties tend to accrue to established artists and their heirs, providing little or no financial benefit to the cast majority of artists. This paper discusses whether Australia should introduce a droit de suite and considers other alternatives to such a scheme.

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