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Droit de suite down under : should Australia introduce a resale royalties scheme for visual artists?

Auteur : Emily Hudson; Sophie Waller; Intellectual Property Research Institute of Australia.
Éditeur : Melbourne, Vic. : The Institute, 2004.
Collection : Intellectual Property Research Institute of Australia working paper, no. 11/04.
Édition/format :   Livre imprimé : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
A droit de suite entitles visual artists and their heirs to receive a royalty from the resale of certain works of art. Recently, there have been calls for Australia to introduce a resale royalty right into the Copyright Act. However, academic commentary and empiral research question whether resale royalties achieve their stated aims. In particular, evidence demonstrates that resale royalties tend to accrue to  Lire la suite...
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Détails

Type d’ouvrage : Ressource Internet
Format : Book, Internet Resource
Tous les auteurs / collaborateurs : Emily Hudson; Sophie Waller; Intellectual Property Research Institute of Australia.
Numéro OCLC : 224063584
Notes : "September 2004."
Description : 36 pages : illustrations ; 21 cm.
Contenu : 1. Introduction --
2. The status of visual artists in Australia --
3. Rationales and content of a resale royalty right --
4. Will a resale royalty scheme meets its objectives --
5. Alternatives --
6. Conclusion.
Titre de collection : Intellectual Property Research Institute of Australia working paper, no. 11/04.
Responsabilité : Emily Hudson and Sophie Waller.

Résumé :

A droit de suite entitles visual artists and their heirs to receive a royalty from the resale of certain works of art. Recently, there have been calls for Australia to introduce a resale royalty right into the Copyright Act. However, academic commentary and empiral research question whether resale royalties achieve their stated aims. In particular, evidence demonstrates that resale royalties tend to accrue to established artists and their heirs, providing little or no financial benefit to the cast majority of artists. This paper discusses whether Australia should introduce a droit de suite and considers other alternatives to such a scheme.

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Données liées


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