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Droit de suite down under : should Australia introduce a resale royalties scheme for visual artists?

Autore: Emily Hudson; Sophie Waller; Intellectual Property Research Institute of Australia.
Editore: Melbourne, Vic. : The Institute, 2004.
Serie: Intellectual Property Research Institute of Australia working paper, no. 11/04.
Edizione/Formato:   book_printbook : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
A droit de suite entitles visual artists and their heirs to receive a royalty from the resale of certain works of art. Recently, there have been calls for Australia to introduce a resale royalty right into the Copyright Act. However, academic commentary and empiral research question whether resale royalties achieve their stated aims. In particular, evidence demonstrates that resale royalties tend to accrue to  Per saperne di più…
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Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Emily Hudson; Sophie Waller; Intellectual Property Research Institute of Australia.
Numero OCLC: 224063584
Note: "September 2004."
Descrizione: 36 pages : illustrations ; 21 cm.
Contenuti: 1. Introduction --
2. The status of visual artists in Australia --
3. Rationales and content of a resale royalty right --
4. Will a resale royalty scheme meets its objectives --
5. Alternatives --
6. Conclusion.
Titolo della serie: Intellectual Property Research Institute of Australia working paper, no. 11/04.
Responsabilità: Emily Hudson and Sophie Waller.

Abstract:

A droit de suite entitles visual artists and their heirs to receive a royalty from the resale of certain works of art. Recently, there have been calls for Australia to introduce a resale royalty right into the Copyright Act. However, academic commentary and empiral research question whether resale royalties achieve their stated aims. In particular, evidence demonstrates that resale royalties tend to accrue to established artists and their heirs, providing little or no financial benefit to the cast majority of artists. This paper discusses whether Australia should introduce a droit de suite and considers other alternatives to such a scheme.

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