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Dynamic dichotomy : the poetic "I" in fourteenth- and fifteenth-century French lyric poetry

Author: Catherine Attwood
Publisher: Amsterdam ; Atlanta, GA : Rodopi, 1998.
Series: Faux titre, no. 149
Edition/Format:   Print book : EnglishView all editions and formats
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Attwood, Catherine.
Dynamic dichotomy.
Amsterdam ; Atlanta, GA : Rodopi, 1998
(OCoLC)606948793
Online version:
Attwood, Catherine.
Dynamic dichotomy.
Amsterdam ; Atlanta, GA : Rodopi, 1998
(OCoLC)607754201
Named Person: Christine, de Pisan; Guillaume, de Machaut; Eustache Deschamps; Jean Froissart; Guillaume (de Machault); Eustache Deschamps; Jean Froissart; Christine (de Pisan)
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Catherine Attwood
ISBN: 9042003650 9789042003651
OCLC Number: 39511216
Notes: Originally presented as the author's thesis (doctoral)--Oxford.
Description: 228 pages ; 22 cm.
Contents: List of Editions. Introduction. Chapter One: The 'I' of the Poet and the Poetic 'I': The Evolution of Literary Awareness in the Fourteenth and Fifteenth Centuries. Introduction. 1: the Status of the Poet. II. The Status of Poetry. III. The Status of the Book. Notes. Chapter Two: The 'I' and the Other: The Poetic 'I' in the Works of Guillaume de Machaut. Introduction. I. Distance and Differentiation: the Example of the Lyric. II. Distance and Differentiation: the Example of the Dit. III. The Uses of Uncertainty. Notes. Chapter Three: The 'I' of the Present and the 'I' of the Past: The Poetic 'I' in the works of Jean Froissart. Introduction. I. The Definition of an Ideal: Decorum. II. The Pursuit of an Ideal: Substitution. III. The Pursuit of an Ideal: Displacement. Conclusion: The Consolidation of the Ideal. Notes.Chapter Four: The 'I' and Other 'I's: the Poetic 'I' in the Works of Eustache Deschamps. Introduction. I. Antecedents. II. Specificity. III. Diversity. Conclusion: the Fragmentation of the 'I'. Notes. Chapter Five: The 'I' Transformed: The Poeitic 'I' in the Works of Christine de Pizan. Introduction: the Uses of 'Couverture'. I. The Uses of Solitude. II. The Uses of Alterity: A. Metamorphosis; B. The Use of Models; C. A Working Model. Conclusion: Fortune and the 'I'. Notes. Chapter Six: The 'I' Divided: the Poetics of Debate. Introduction: the Example of Fortune. I. Debate as a Self-Fulfilling Medium. II. The 'I' and the Truth: A. The 'I' in External Debate; B. The 'I' in 'Pseudo-External' Debate; C. The 'I' in Internal Debate. Notes. Conclusion. Bibliography - Primary Sources; Secondary Sources.
Series Title: Faux titre, no. 149
Responsibility: Catherine Attwood.

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