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The Eadwine psalter : text, image, and monastic culture in twelfth-century Canterbury
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The Eadwine psalter : text, image, and monastic culture in twelfth-century Canterbury

Author: Margaret T Gibson; T A Heslop; Richard William Pfaff
Publisher: London : Modern Humanities Research Association ; University Park : Pennsylvania State University Press, 1992.
Series: Publications of the Modern Humanities Research Association, v. 14.
Edition/Format:   Book : State or province government publication : EnglishView all editions and formats
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Genre/Form: Sources
Named Person: Eglise catholique.
Material Type: Government publication, State or province government publication
Document Type: Book
All Authors / Contributors: Margaret T Gibson; T A Heslop; Richard William Pfaff
ISBN: 0947623469 9780947623463 0271008377 9780271008370
OCLC Number: 24468570
Description: xvii, 228 p., [49] p. of plates : ill. (some col.) ; 32 cm.
Contents: Introduction / Margaret Gibson --
Ch. I. Codicology and Palaeography / Nicholas Pickwoad and Teresa Webber. 1. Codicology / Nicholas Pickwoad. A. The Original Format. B. The Membrane. C. Collation Marks. D. Endleaves. E. Pricking. F. Sewing. G. Lacing-In. H. The Seventeenth-Century Binding. 2. The Script / Teresa Webber. A. Introduction. B. Mise-en-Page. C. Script and Scribes. I. The Latin Psalter and Canticle Texts. II. The Latin Gloss. III. Other Latin Texts. IV. The Anglo-Norman Version. V. The Old English Texts. D. The Sequence of Production. E. The Eadwine Psalter and Book Production at Christ Church, Canterbury --
Ch. II. Decoration and Illustration / George Henderson and T. A. Heslop. 1. Introduction / T. A. Heslop. 2. The Four Bible Picture Leaves. A. The Place of the Leaves in the Eadwine Psalter / T. A. Heslop. B. The Visual Sources of the Picture Leaves / T. A. Heslop. C. The Textual Basis of the Picture Leaves / George Henderson. I. New York, Pierpont Morgan Library, MS M. 724. II. London, British Library, MS Add. 37472. III. New York, Pierpont Morgan Library, MS M. 521. IV. London, Victoria and Albert Museum, MS 661. 3. The Psalm Illustrations / T. A. Heslop. A. The First Seven Psalms. I. The Psalm I Illustrator: The Superbia Master. II. The Psalm 2 Illustrator: The Mount Sion Artist. III. Psalms 3, 5, 6, and 7: The Principal Illuminator. IV. The Psalm 4 Illustrator: The Corpus 4 Master. B. From Psalm 8 to the End of the Canticles. 4. The Illuminated Initials / T. A. Heslop. A. The Large Painted Initials. B. The Minor Initials. C. The Calendar Initials. 5. The Artistic Context / T. A. Heslop --
Ch. III. The Calendar / Richard W. Pfaff. 1. General Considerations. 2. The Layout of the Calendar. 3. The Contents. 4. The Eleventh-Century Basis. 5. Conclusion; The Possible Role of Eadui Basan --
Ch. IV. The Tituli, Collects, Canticles, and Creeds / Richard W. Pfaff. 1. The Tituli. 2. The Psalter Collects. 3. The Canticles and Creeds --
Ch. V. The Latin Apparatus / Margaret Gibson. 1. Introduction. 2. The Parva Glosatura. 3. The Gloss to the Canticles and the Athanasian Creed. 4. The Prologues. 5. The Gallicanum. 6. Appendix of Texts --
Ch. VI. English Version / Patrick P. O'Neill. 1. Previous Scholarship. 2. The Relationship to Other Old English Psalter Glosses. 3. Sources and Composition. A. The Main Source, *Ead. B. Sources for Canticles 8-15. C. An English Gloss to Psalm 151. D. The Old English Metrical Psalms. E. A D-Type Psalter. F. Modernizations and Independent Glossing. G. Conclusions. 4. The Stages of Copying in the English Gloss. 5. The English Gloss in its Cultural Context. 6. The Romanum in the Eadwine Psalter --
Ch. VII. The Anglo-Norman Version / Dominique Markey. 1. The Text of the Hebraicum. 2. The Anglo-Norman Version: Introduction. 3. The Exemplar of the Eadwine Psalter. 4. The Corrections of the Eadwine Psalter. 5. The Relation of the Eadwine Psalter to Paris, BN, MS lat. 8846. 6. Conclusions: The Hebraicum Texts of the Eadwine Psalter --
Ch. VIII. The Comet in the Eadwine Psalter / Simon Keynes --
Ch. IX. The Prognostications of the Eadwine Psalter / Charles Burnett --
Ch. X. The Waterworks Drawings of the Eadwine Psalter / Francis Woodman. 1. Introduction. 2. The Date of the Waterworks System. 3. The Small Waterworks Drawing. 4. The Large Waterworks Drawing. 5. The Hydraulic System. 6. The Architectural Evidence of the Large Waterworks Drawing. 7. Is the Large Drawing a Measured Plan? 8. The Artist of the Large Waterworks Drawing --
Ch. XI. Eadwine and his Portrait / T. A. Heslop --
Ch. XII. Paris, BN, MS lat. 8846 and the Eadwine Psalter / Patricia Stirnemann. 1. The Relationship with the Eadwine Psalter - Direct or Indirect? 2. Ancient Models in the Late Twelfth Century. 3. Excursus: Paris, BN, MS lat. 8846 and the Bedford Master. Ch. XIII. The History of the Eadwine Psalter / T. A. Heslop and David McKitterick. 1. The Eadwine Psalter at Canterbury and Cambridge, C. 1160-1610 / T. A. Heslop. 2. The Eadwine Psalter Rediscovered / David McKitterick --
Ch. XIV. Conclusions: The Eadwine Psalter in Context / Margaret Gibson. 1. Date and Provenance. 2. Sources. 3. The Patron. 4. The Eadwine Psalter and Christ Church, Canterbury --
1. Index of Manuscripts --
2. Index of Psalms --
3. Index of Feasts.
Series Title: Publications of the Modern Humanities Research Association, v. 14.
Responsibility: edited by Margaret Gibson, T.A. Heslop, Richard W. Pfaff.

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