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Early film theories in Italy, 1896-1922

Author: Francesco Casetti
Publisher: Amsterdam : Amsterdam University Press, 2017
Series: Film theory in media history
Edition/Format:   eBook : EnglishView all editions and formats
Summary:

An exploration of Italian culture in transition during the advent of cinema, as this 'scandalous' new technology appeared poised to thoroughly change everyday life.

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Additional Physical Format: Erscheint auch als:
Early film theories in Italy, 1896-1922
Amsterdam : Amsterdam University Press, 2017
516 Seiten
Druckausgabe
Material Type: Internet resource
Document Type: Internet Resource
All Authors / Contributors: Francesco Casetti
ISBN: 9789089648556 9089648550
OCLC Number: 1010158002
Description: 1 Online-Ressource (516 Seiten)
Contents: Francesco Casetti, The Throb of the Cinematograph [-][-]Section 1. Cinema and Modern Life[-][-]Introduction (Francesco Casetti)[-][-]1. Edipi [Ettore della Porta], Cinematography[-]2. Giovanni Papini, The Philosophy of Cinematograph[-]3. Gaio [Adolfo Orvieto], Summertime Spectacles: The Cinema [-]4. Maffio Maffii, Why I love the Cinema[-]5. Giovanni Fossi, The Movie Theatre Audience[-]6. Crainquebille [Enrico Thovez], The Art of Celluloid[-]7. Ricciotto Canudo, The Triumph of the Cinema[-]8. Fausto Maria Martini, The Death of the Word[-][-][-]Section 2. Film in Transition[-][-]Introduction (Francesco Casetti) [-][-]9. Lucio D'Ambra, The Museum of the Fleeting Moment[-]10. Hayd e [Ida Finzi], The Woman and the Cinema[-]11. Emanuele Toddi [Pietro Silvio Rivetta], Darkness and Intelligence [-]12. Matilde Serao, A Spectatrix is Speaking to You[-]13. Emilio Scaglione, Motion Pictures in Provincial Towns[-]14. Edoardo Coli, Cinematic Psychology[-]15. Silvio D'Amico, The Cinematograph Doesn't Exist[-]16. Giovanni Bertinetti, The Cinema, School of the Will and of Energy[-]17. Alberto Orsi, The Close-Up[-]18. Ernesto Quadrone, Cinedrama Titles[-][-][-]Section 3. Cinema at War [-][-]Introduction (Luca Mazzei)[-][-]19. Nino Salvaneschi, The War from Close-Up[-]20. Renato Giovannetti, That Poor Cinema[-]21. Renato Giovannetti, War Applied to Industry[-]22. Luigi Lucatelli, Families of Soldiers[-]23. g. pr. [Giuseppe Prezzolini], War and Cinema[-]24. Lucio D'Ambra, Max Linder Dies in the War[-]25. Saverio Procida, Cinema of War [-][-][-]Section 4. Politics, Morality, Education[-][-]Introduction (Silvio Alovisio)[-][-]26. Domenico Orano, The Cinema and Education[-]27. Romano Costetti, The Intuitive Method of Religious Education[-]28. Giovan Battista Avellone, The Cinema and Its Influence on the Education of the People[-]29. Francesco Orestano, Motion Pictures and Scholastic Education [-]30. Vittorio Emanuele Orlando, The People's Theatre[-]31. Angelina Maria Buracci, Cinema for the Cultivation of the Intellect [-]32. Ettore Fabietti, The Cinema as Teacher[-][-][-]Section 5. Film, Body, Mind[-][-]Introduction (Silvio Alovisio)[-][-]33. Pasquale Rossi, Collective Psychology[-]34. Mario Ponzo, Psychological Observations Made during Motion Picture Screenings[-]35. Giuseppe D'Abundo, Concerning the Effects of Film Viewing on Neurotic Individuals [-]36. Mariano Luigi Patrizi, The Ongoing Battle between Gesture and Word [-]37. Mario Umberto Masini and Giuseppe Vidoni, The Cinematograph in the Field of Mental Ilness and Criminality: Notes[-]38. Mario Ponzo, Cinema and Juvenile Delinquency [-][-][-]Section 6. The Aesthetic Side [-][-]Introduction (Luca Mazzei and Silvio Alovisio)[-][-]39. Corrado Ricci, Problems of Art: Expression and Movement in Sculpture [-]40. Sebastiano Arturo Luciani, Scenic Impressionism[-]41. Goffredo Bellonci, The Aesthetics of Cinema[-]42. Sebastiano Arturo Luciani, The Poetics of Cinema[-]43. Goffredo Bellonci, Manifesto for a Cinematic Revolution[-]44. Antonio Gramsci, Theatre and the Cinema[-]45. Filippo Tommaso Marinetti, Bruno Corra, Emilio Settimelli, Arnaldo Ginna, Giacomo Balla, and Remo Chiti, The Futurist Cinematography[-]46. Antonio Gramsci, In the Beginning Was Sex=[-]47. Emanuele Toddi [Pietro Silvio Rivetta], Rectangle-Film (25 x 19)[-]48. Anton Giulio Bragaglia, The Proscenium Arch of My Cinema[-]49. Lucio D'Ambra, My Views on the Cinematograph [-]50. Michele Biancale, Meditations in the Dark[-][-][-]Section 7. A Theory in a Narrative Form [-][-]Introduction (Luca Mazzei)[-][-]51. Roberto Tanfani, Colour Film [-]52. Luigia Cortesi, At the Cinema[-]53. Alberto Lumbroso, A Phantom Pursued[-]54. Aldo Borelli, Miopetti's Duel [-]55. Guido Gozzano, Pamela-Film [-]56. Pio Vanzi, Feature Film[-]57. Luciano Doria, Me, Ri
Series Title: Film theory in media history
Responsibility: edited by Francesco Casetti.

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