跳到内容
Early Italian painting 预览资料
关闭预览资料
正在查...

Early Italian painting

著者: J A Crowe; G B Cavalcaselle; Jameson, Mrs.
出版商: New York : Parkstone Press International, ©2011.
丛书: Art of century collection.
版本/格式:   电子图书 : 文献 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that led to the Renaissance. Trying out new media, those first artists left frescoes for removable panels. If the sacred faces shock us novices, this distance was more than wanted during this era and in order to emphasise the divinity of the characters; it  再读一些...
评估:

(尚未评估) 0 附有评论 - 争取成为第一个。

主题
更多类似这样的

 

在线查找

与资料的链接

在图书馆查找

&AllPage.SpinnerRetrieving; 正在查找有这资料的图书馆...

详细书目

类型/形式: Electronic books
附加的形体格式: Print version:
Crowe, J.A. (Joseph Archer), 1825-1896.
Early Italian painting.
New York : Parkstone Press International, ©2011
(DLC) 2011033708
(OCoLC)644683471
材料类型: 文献, 互联网资源
文件类型: 互联网资源, 计算机文档
所有的著者/提供者: J A Crowe; G B Cavalcaselle; Jameson, Mrs.
ISBN: 9781780428055 1780428057
OCLC号码: 777401484
注意: "The following passages originally constituted sections of two books ... both written in 1864-one by Anna Jameson and the other by Giovanni Cavalcaselle and Arthur Crowe"--Note from the editor.
Includes index.
描述: 1 online resource (199 pages) : color illustrations.
内容: Introduction : Something about pictures and painters --
Revival of art in Siena. Fundamental difference between Sienese and Florentine art --
Early Christianity and art --
Memoirs of the early Italian painters. Guido da Siena --
Giovanni Cimabue --
Cimabue and the Ruccelai Madonna --
Duccio di Buoninsegna --
Ugolino di Nerio --
Segna di Bonaventura --
Giotto di Bondone --
Pietro Cavallini --
The Campo Santo --
Andrea Orcagna --
Taddeo Gaddi --
Simone Martini (Simone Memmi) --
Conclusion.
丛书名: Art of century collection.
责任: Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson.

摘要:

"Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that led to the Renaissance. Trying out new media, those first artists left frescoes for removable panels. If the sacred faces shock us novices, this distance was more than wanted during this era and in order to emphasise the divinity of the characters; it highlighted their divinity and comforted the sanctified with a background covered with gold leaves. The elegance of the line and the colour choice was combined to reinforce the symbolic choices. The half-confessed ultimate goal of the early Italian artists was to make the invisible... visible. In this magnificent book, the author emphasises the importance that the rivalry between the Siennese and Florentine schools played for the evolution of art history. And the reader, in the course of these forgotten masterworks, will discover how, little by little, the sacred became incarnate and more human... opening a discrete but definitive door through the use of anthropomorphism, as was cherished by the Renaissance."--

评论

用户提供的评论
正在获取GoodReads评论...
正在检索DOGObooks的评论

标签

争取是第一个!
确认申请

你可能已经申请过这份资料。如果还是想申请,请选确认。

链接数据


<http://www.worldcat.org/oclc/777401484>
library:oclcnum"777401484"
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:MediaObject
rdf:typeschema:Book
rdf:valueUnknown value: dct
rdfs:seeAlso
rdfs:seeAlso
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:bookFormatschema:EBook
schema:contributor
schema:contributor
<http://viaf.org/viaf/38017204>
rdf:typeschema:Person
schema:birthDate"1819"
schema:deathDate"1897"
schema:familyName"Cavalcaselle"
schema:givenName"G. B."
schema:name"Cavalcaselle, G. B. (Giovanni Battista), 1819-1897."
schema:contributor
schema:copyrightYear"2011"
schema:creator
schema:datePublished"2011"
schema:description"Introduction : Something about pictures and painters -- Revival of art in Siena. Fundamental difference between Sienese and Florentine art -- Early Christianity and art -- Memoirs of the early Italian painters. Guido da Siena -- Giovanni Cimabue -- Cimabue and the Ruccelai Madonna -- Duccio di Buoninsegna -- Ugolino di Nerio -- Segna di Bonaventura -- Giotto di Bondone -- Pietro Cavallini -- The Campo Santo -- Andrea Orcagna -- Taddeo Gaddi -- Simone Martini (Simone Memmi) -- Conclusion."@en
schema:description""Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that led to the Renaissance. Trying out new media, those first artists left frescoes for removable panels. If the sacred faces shock us novices, this distance was more than wanted during this era and in order to emphasise the divinity of the characters; it highlighted their divinity and comforted the sanctified with a background covered with gold leaves. The elegance of the line and the colour choice was combined to reinforce the symbolic choices. The half-confessed ultimate goal of the early Italian artists was to make the invisible... visible. In this magnificent book, the author emphasises the importance that the rivalry between the Siennese and Florentine schools played for the evolution of art history. And the reader, in the course of these forgotten masterworks, will discover how, little by little, the sacred became incarnate and more human... opening a discrete but definitive door through the use of anthropomorphism, as was cherished by the Renaissance."--"@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/962176771>
schema:genre"Electronic books"@en
schema:inLanguage"en"
schema:isPartOf
schema:name"Early Italian painting"@en
schema:publication
schema:publisher
schema:url<http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436191>
schema:url<http://site.ebrary.com/id/10532469>
schema:url<http://public.eblib.com/choice/publicfullrecord.aspx?p=886887>
schema:url<http://www.contentreserve.com/TitleInfo.asp?ID={2D7BCAC0-8D6B-44BA-95C6-9E4B62F5686D}&Format=50>
schema:url<http://www.myilibrary.com?id=426475>
schema:workExample
wdrs:describedby

Content-negotiable representations

关闭窗口

请登入WorldCat 

没有张号吗?很容易就可以 建立免费的账号.