跳至内容
Early Italian painting 線上預覽
關閉線上預覽
正在查...

Early Italian painting

作者: J A Crowe; G B Cavalcaselle; Jameson, Mrs.
出版商: New York : Parkstone Press International, ©2011.
叢書: Art of century collection.
版本/格式:   電子書 : 文獻 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescoes on walls, but created the first mobile paintings on wooden panels. The visages of the figures  再讀一些...
評定級別:

(尚未評分) 0 附有評論 - 成爲第一個。

主題
更多類似這樣的

 

在線上查詢

與資料的連結

在圖書館查詢

&AllPage.SpinnerRetrieving; 正在查詢有此資料的圖書館...

詳細書目

類型/形式: Electronic books
其他的實體格式: Print version:
Crowe, J. A. (Joseph Archer), 1825-1896.
Early Italian painting.
New York : Parkstone Press International, c2011
(DLC) 2011033708
(OCoLC)644683471
資料類型: 文獻, 網際網路資源
文件類型: 網路資源, 電腦資料
所有的作者/貢獻者: J A Crowe; G B Cavalcaselle; Jameson, Mrs.
ISBN: 9781780428055 1780428057
OCLC系統控制編碼: 777401484
注意: "The following passages originally constituted sections of two books ... both written in 1864-one by Anna Jameson and the other by Giovanni Cavalcaselle and Arthur Crowe"--Note from the editor.
Includes index.
描述: 1 online resource (199 p.) : col. ill.
内容: Introduction : Something about pictures and painters --
Revival of art in Siena --
Fundamental difference between Sienese and Florentine art --
Early Christianity and art --
Memoirs of the early Italian painters. Guido da Siena --
Giovanni Cimabue --
Cimabue and the Ruccelai Madonna --
Duccio di Buoninsegna --
Ugolino di Nerio --
Segna di Bonaventura --
Giotto di Bondone --
Pietro Cavallini --
The Campo Santo --
Andrea Orcagna --
Taddeo Gaddi --
Simone Martini (Simone Memmi) --
Conclusion.
叢書名: Art of century collection.
責任: Joseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson.

摘要:

Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescoes on walls, but created the first mobile paintings on wooden panels. The visages of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness o

評論

讀者提供的評論
正在擷取GoodReads評論...
正在擷取DOGObooks的評論

標籤

成爲第一個
確認申請

你可能已經申請過這份資料。若還是想申請,請選確認。

連結資料


<http://www.worldcat.org/oclc/777401484>
library:oclcnum"777401484"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/777401484>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:bookFormatschema:EBook
schema:contributor
schema:contributor
schema:copyrightYear"2011"
schema:creator
schema:datePublished"2011"
schema:description"Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescoes on walls, but created the first mobile paintings on wooden panels. The visages of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness o"
schema:description"Introduction : Something about pictures and painters -- Revival of art in Siena -- Fundamental difference between Sienese and Florentine art -- Early Christianity and art -- Memoirs of the early Italian painters. Guido da Siena -- Giovanni Cimabue -- Cimabue and the Ruccelai Madonna -- Duccio di Buoninsegna -- Ugolino di Nerio -- Segna di Bonaventura -- Giotto di Bondone -- Pietro Cavallini -- The Campo Santo -- Andrea Orcagna -- Taddeo Gaddi -- Simone Martini (Simone Memmi) -- Conclusion."
schema:exampleOfWork<http://worldcat.org/entity/work/id/962176771>
schema:genre"Electronic books."
schema:inLanguage"en"
schema:name"Early Italian painting"
schema:publisher
schema:url<http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436191>
schema:url<http://site.ebrary.com/id/10532469>
schema:url<http://public.eblib.com/EBLPublic/PublicView.do?ptiID=886887>
schema:url<http://www.contentreserve.com/TitleInfo.asp?ID={2D7BCAC0-8D6B-44BA-95C6-9E4B62F5686D}&Format=50>
schema:url<http://www.myilibrary.com?id=426475>
schema:url
schema:workExample

Content-negotiable representations

關閉視窗

請登入WorldCat 

没有帳號嗎?你可很容易的 建立免費的帳號.