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Early Netherlandish painting, its origins and character. 预览资料
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Early Netherlandish painting, its origins and character.

著者: Erwin Panofsky
出版商: Cambridge, Harvard University Press, 1953.
版本/格式:   图书 : 英语查看所有的版本和格式
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类型/形式: History
附加的形体格式: Online version:
Panofsky, Erwin, 1892-1968.
Early Netherlandish painting, its origins and character.
Cambridge, Harvard University Press, 1953
(OCoLC)564268977
提及的人: Jan van Eyck; Hubert van Eyck; Rogier van der Weyden; Robert Campin
文件类型:
所有的著者/提供者: Erwin Panofsky
OCLC号码: 2571305
描述: 2 volumes plates 32 cm
内容: v. 1. Text. Introduction: The polarization of European fifteenth-century painting in Italy and the Lowlands ; French and Franco-Flemish book illumination in the fourteenth century ; The early fifteenth and the "international style" ; Sculpture and panel painting about 1400 ; The problem of Burgundy ; The regional schools of the Netherlands and their importance for the formation of the great masters ; Reality and symbol in early Flemish painting: "Spiritualia sub metaphoris corporalium" ; "Ars nova" ; The master of Flémalle ; Jan Van Eyck ; Hubert and/or Jan Van Eyck: the problems of the Ghent altarpiece and the Turin-Milan hours ; Roger Van Der Weyden ; Epilogue: The heritage of the founders --
v. 2. Plates.

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The italians didn't have jack on the netherlandish artists!

评论者是 DFFLanders (公布的WorldCat用户 2006-07-19) 极好 Permalink
An essential read for any of you romantic artists out there, who still think that the Italians were the only ground-breaking artists of the Renaissance. That and Panofsky is one of the truly exceptional scholars and teachers of the twenty-first century!
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