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Early Netherlandish painting, its origins and character.

作者: Erwin Panofsky
出版商: Cambridge, Harvard University Press, 1953.
叢書: Charles Eliot Norton lectures, 1947-1948.
版本/格式:   Print book : 英語所有版本和格式的總覽
資料庫:WorldCat
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詳細書目

類型/形式: History
其他的實體格式: Online version:
Panofsky, Erwin, 1892-1968.
Early Netherlandish painting, its origins and character.
Cambridge, Harvard University Press, 1953
(OCoLC)564268977
提及的人: Jan van Eyck; Hubert van Eyck; Rogier van der Weyden; Robert Campin
文件類型: 圖書
所有的作者/貢獻者: Erwin Panofsky
OCLC系統控制編碼: 2571305
描述: 2 volumes plates 32 cm
内容: v. 1 Text --
v. 2. Plates. v. 1. Text. Introduction: The polarization of European fifteenth-century painting in Italy and the Lowlands ; French and Franco-Flemish book illumination in the fourteenth century ; The early fifteenth and the "international style" ; Sculpture and panel painting about 1400 ; The problem of Burgundy ; The regional schools of the Netherlands and their importance for the formation of the great masters ; Reality and symbol in early Flemish painting: "Spiritualia sub metaphoris corporalium" ; "Ars nova" ; The master of Flémalle ; Jan Van Eyck ; Hubert and/or Jan Van Eyck: the problems of the Ghent altarpiece and the Turin-Milan hours ; Roger Van Der Weyden ; Epilogue: The heritage of the founders --
v. 2. Plates.
叢書名: Charles Eliot Norton lectures, 1947-1948.

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The italians didn't have jack on the netherlandish artists!

評論者是 DFFLanders (WorldCat讀者所發佈的 2006-07-19) 極好 Permalink
An essential read for any of you romantic artists out there, who still think that the Italians were the only ground-breaking artists of the Renaissance. That and Panofsky is one of the truly exceptional scholars and teachers of the twenty-first century!
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