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Economy of the unlost : reading Simonides of Keos with Paul Celan
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Economy of the unlost : reading Simonides of Keos with Paul Celan

Verfasser/in: Anne Carson
Verlag: Princeton, N.J. : Princeton University Press, ©1999.
Serien: Martin classical lectures (Unnumbered)., New series.
Ausgabe/Format   Buch : EnglischAlle Ausgaben und Formate anzeigen
Inhaltsangabe:
"The ancient Greek lyric poet Simonides of Keos was the first poet in the Western tradition to take money for poetic composition. From this starting point, Anne Carson launches an exploration, poetic in its own right, of the idea of poetic economy. She offers a reading of certain of Simonides' texts and aligns these with writings of the modern Romanian poet Paul Celan, a Jew and survivor of the Holocaust, whose  Weiterlesen…
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Physikalisches Format Online version:
Carson, Anne, 1950-
Economy of the unlost.
Princeton, N.J. : Princeton University Press, c1999
(OCoLC)607390904
Name: Simonides; Paul Celan; Simonides; Paul Celan; Simonides Ceus; Paul Celan
Medientyp: Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Anne Carson
ISBN: 0691036772 9780691036779
OCLC-Nummer: 40256006
Beschreibung: viii, 147 p. ; 24 cm.
Inhalt: Prologue: False Sail --
Alienation --
Visibles Invisibles --
Epitaphs --
Negation --
Epilogue: All Candled Things.
Serientitel: Martin classical lectures (Unnumbered)., New series.
Verfasserangabe: Anne Carson.
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Abstract:

The ancient Greek poet Simonides of Keos was the first poet in the Western tradition to take money for composition. Aligning Simonides' texts with those of modern poet Paul Celan, this book looks at  Weiterlesen…

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"Erudite and entertaining, effortlessly able to play across a range of associations, the book traces a number of similarities in artistic approach between two writers who would seem, on the face of Weiterlesen…

 
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schema:reviewBody""The ancient Greek lyric poet Simonides of Keos was the first poet in the Western tradition to take money for poetic composition. From this starting point, Anne Carson launches an exploration, poetic in its own right, of the idea of poetic economy. She offers a reading of certain of Simonides' texts and aligns these with writings of the modern Romanian poet Paul Celan, a Jew and survivor of the Holocaust, whose "economies" of language are notorious. Asking such questions as, What is lost when words are wasted? and Who profits when words are saved, Carson reveals the two poets' striking commonalities."--BOOK JACKET."
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