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Edmond and Lucie Cousturier papers, circa 1890-1908.

Author: Edmond Cousturier; Lucie Cousturier; Georges Lecomte
Edition/Format:   Archival material : French
Database:WorldCat
Summary:
The papers include 73 letters and postcards, two sketchbooks, and one manuscript. Most of the letters and all 25 postcards are from Henri Edmond Cross to Maximilien Luce or Edmond and Lucie Cousturier. Among the rest of the letters are four from Lucien Pissaro, three from Paul and Berthe Signac, and two from Edgar Degas to Pierre-Georges Jeanniot. Also included are two small sketchbooks by Cross and a four-page  Read more...
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Details

Genre/Form: Sketchbooks
Correspondence
Named Person: Henri Edmond Cross; Edgar Degas; Maximilien Luce; Lucien Pissarro; Berthe Signac; Paul Signac
Material Type: Internet resource
Document Type: Archival Material, Internet Resource
All Authors / Contributors: Edmond Cousturier; Lucie Cousturier; Georges Lecomte
OCLC Number: 641269309
Description: 0.3 linear ft. (9 folders)
Contents: folder 1-3. Henri Edmond Cross letters --
folder 4. Henri Edmond Cross postcards --
folder 5. Lucien Pissarro letters to Edmond Cousturier --
folder 6. Paul and Berthe Signac letters --
folder 7. Edgar Degas letters to Pierre-Georges Jeanniot --
folder 8. Henri Edmond Cross sketchbooks --
folder 9. Georges Lecomte manuscript.

Abstract:

The papers include 73 letters and postcards, two sketchbooks, and one manuscript. Most of the letters and all 25 postcards are from Henri Edmond Cross to Maximilien Luce or Edmond and Lucie Cousturier. Among the rest of the letters are four from Lucien Pissaro, three from Paul and Berthe Signac, and two from Edgar Degas to Pierre-Georges Jeanniot. Also included are two small sketchbooks by Cross and a four-page manuscript of an article by Georges Lecomte. The collection documents aspects of Neo-Impressionism as it was discussed and practiced by artists in the 1890s and the first decade of the 20th century, from artists' day-to-day painting activities to topics such as the roles of reason and intuition in painting, specific color palettes and compositions, the abstraction of nature, and principles of science that inform technique.

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Primary Entity

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