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Edward Burne-Jones, Victorian artist-dreamer

Auteur : Stephen WildmanEdward Coley Burne-JonesJohn ChristianAlan CrawfordLaurence Des CarsTous les auteurs
Éditeur : New York : Metropolitan Museum of Art : Distributed by Harry N. Abrams, 1998.
Édition/format :   book_printbook : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
A pupil of Dante Gabriel Rossetti and a protege of John Ruskin, Burne-Jones belonged to the second generation of the Pre-Raphaelite Brotherhood, creating a narrative style of romantic symbolism steeped in medieval legend and fused with the influence of Italian Renaissance masters that was to have widespread influence on both British and European art. Within the sophisticated culture of the late Victorian period,
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Détails

Genre/forme : Exhibition catalogs
Exhibitions
Format – détails additionnels : Online version:
Wildman, Stephen.
Edward Burne-Jones, Victorian artist-dreamer.
New York : Metropolitan Museum of Art : Distributed by Harry N. Abrams, 1998
(OCoLC)607121732
Personne nommée : Edward Coley Burne-Jones; Edward Coley Burne-Jones, Sir; Edward Coley Burne-Jones, Sir; Edward Coley Burne-Jones
Format : Livre
Tous les auteurs / collaborateurs : Stephen Wildman; Edward Coley Burne-Jones; John Christian; Alan Crawford; Laurence Des Cars; Metropolitan Museum of Art (New York, N.Y.); Birmingham Museums and Art Gallery.; Musée d'Orsay.
ISBN : 0870998587 9780870998584 0870998595 9780870998591 0300085826 9780300085822
Numéro OCLC : 38565999
Notes : Catalog of an exhibition held at the Metropolitan Museum of Art, June 4-Sept. 6, 1998, the Birmingham Museums and Art Gallery, Birmingham, England, Oct. 17, 1998-Jan. 17, 1999, and the Musée d'Orsay, Paris, Mar. 1-June 6, 1999.
Description : xi, 361 pages : illustrations (some color) ; 32 cm
Contenu : A Critical Somersault / John Christian --
Burne-Jones as a Decorative Artist / Alan Crawford --
Burne-Jones and France / Laurence Des Cars --
Catalogue / Stephen Wildman and John Christian.
Responsabilité : Stephen Wildman and John Christian ; with essays by Alan Crawford and Laurence des Cars.

Résumé :

A pupil of Dante Gabriel Rossetti and a protege of John Ruskin, Burne-Jones belonged to the second generation of the Pre-Raphaelite Brotherhood, creating a narrative style of romantic symbolism steeped in medieval legend and fused with the influence of Italian Renaissance masters that was to have widespread influence on both British and European art. Within the sophisticated culture of the late Victorian period, Burne-Jones's star rose rapidly, and by the 1880s he had become the establishment artist par excellence, one of the most admired and sought-after painters in Europe.

Burne-Jones, in addition to being a successful and innovative painter, was also an important force in the Arts and Crafts movement, working closely with his lifelong friend William Morris in the production of such decorative arts as ceramic tiles, stained glass, large-scale tapestries, and illustrated books to be printed at Morris's renowned Kelmscott Press. Examples of works in all these media are presented in the exhibition, with full-color and black-and-white reproductions of each of the 173 works included in the catalogue.

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Données liées


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