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Edward Weston : a legacy

著者: Edward WestonSusan DanlyJonathan SpauldingJessica Todd SmithJennifer A Wattsすべての著者
出版: London : Merrell, 2003.
エディション/フォーマット:   book_printbook : Biography : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"This is the first major book to celebrate the Huntington's collection of five hundred Edward Weston photographs, all of them selected and printed for the institution by the artist in the 1940s. The Guggenheim photographs lie at the heart of this legacy, but Weston also included in his gift still-life studies from the early 1920s and 1930s, as well as later landscapes from the 1940s. Weston selected these  続きを読む
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詳細

ジャンル/形式: Exhibition catalogs
Photographie (Descripteur de forme)
Exhibitions
関連の人物: Edward Weston; Edward Weston; Edward Weston; Edward Weston
資料の種類: Biography
ドキュメントの種類: 図書
すべての著者/寄与者: Edward Weston; Susan Danly; Jonathan Spaulding; Jessica Todd Smith; Jennifer A Watts; Henry E. Huntington Library and Art Gallery.
ISBN: 1858942063 9781858942063
OCLC No.: 60492236
注記: Published in association with The Huntington Library, Art Collection, and Botanical Gardens, San Marino, California.
Exhibition held June 28-Oct. 5, 2003 at the Huntington Library.
物理形態: 288 pages : illustrations ; 29 cm
コンテンツ: Life-work: Edward Weston's Guggenheim gift / Jennifer A. Watts --
Bright power, dark peace: Edward Weston's California / Jonathan Spaulding --
"Literally photographed": Edward Weston and Walt Whitman's Leaves of Grass / Susan Danly --
Time of exposure: Nancy Newhall's unpublished book of Edward Weston's nudes / Jessica Todd Smith --
Plates : Still life ; Oceano ; Death Valley ; Southwest ; Sierra Nevada and Yosemite ; Point Lobos ; Pacific Coast ; Studio sets ; Whitman trip.
責任者: [Text by] Susan Danly, Jonathan Spaulding, Jessica Todd Smith ; edited and with an introduction by Jennifer A. Watts.

概要:

"This is the first major book to celebrate the Huntington's collection of five hundred Edward Weston photographs, all of them selected and printed for the institution by the artist in the 1940s. The Guggenheim photographs lie at the heart of this legacy, but Weston also included in his gift still-life studies from the early 1920s and 1930s, as well as later landscapes from the 1940s. Weston selected these photographs as representative of his best work, and they are reproduced here, complemented by investigations into the influences that shaped them."--Jacket.

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