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Edward Weston : a legacy

著者: Edward WestonSusan DanlyJonathan SpauldingJessica Todd SmithJennifer A Watts所有著者
出版商: London : Merrell, 2003.
版本/格式:   Print book : 传记 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"This is the first major book to celebrate the Huntington's collection of five hundred Edward Weston photographs, all of them selected and printed for the institution by the artist in the 1940s. The Guggenheim photographs lie at the heart of this legacy, but Weston also included in his gift still-life studies from the early 1920s and 1930s, as well as later landscapes from the 1940s. Weston selected these  再读一些...
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详细书目

类型/形式: Exhibition catalogs
Photographie (Descripteur de forme)
Exhibitions
提及的人: Edward Weston; Edward Weston; Edward Weston; Edward Weston
材料类型: 传记
文件类型:
所有的著者/提供者: Edward Weston; Susan Danly; Jonathan Spaulding; Jessica Todd Smith; Jennifer A Watts; Henry E. Huntington Library and Art Gallery.
ISBN: 1858942063 9781858942063
OCLC号码: 60492236
注意: Published in association with The Huntington Library, Art Collection, and Botanical Gardens, San Marino, California.
Exhibition held June 28-Oct. 5, 2003 at the Huntington Library.
描述: 288 pages : illustrations ; 29 cm
内容: Life-work: Edward Weston's Guggenheim gift / Jennifer A. Watts --
Bright power, dark peace: Edward Weston's California / Jonathan Spaulding --
"Literally photographed": Edward Weston and Walt Whitman's Leaves of Grass / Susan Danly --
Time of exposure: Nancy Newhall's unpublished book of Edward Weston's nudes / Jessica Todd Smith --
Plates : Still life ; Oceano ; Death Valley ; Southwest ; Sierra Nevada and Yosemite ; Point Lobos ; Pacific Coast ; Studio sets ; Whitman trip.
责任: [Text by] Susan Danly, Jonathan Spaulding, Jessica Todd Smith ; edited and with an introduction by Jennifer A. Watts.

摘要:

"This is the first major book to celebrate the Huntington's collection of five hundred Edward Weston photographs, all of them selected and printed for the institution by the artist in the 1940s. The Guggenheim photographs lie at the heart of this legacy, but Weston also included in his gift still-life studies from the early 1920s and 1930s, as well as later landscapes from the 1940s. Weston selected these photographs as representative of his best work, and they are reproduced here, complemented by investigations into the influences that shaped them."--Jacket.

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