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Eighteenth-century imitative counterpoint : music for analysis

Author: Wallace BerryDietrich BuxtehudeJohann PachelbelArcangelo CorelliHenry PurcellAll authors
Publisher: New York : Appleton-Century-Crofts, ©1969.
Edition/Format:   Musical score : No Linguistic ContentView all editions and formats
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Genre/Form: Collections
Music collections
Additional Physical Format: Online version:
Eighteenth-century imitative counterpoint.
New York : Appleton-Century-Crofts, ©1969
(OCoLC)607679857
Document Type: Musical Score
All Authors / Contributors: Wallace Berry; Dietrich Buxtehude; Johann Pachelbel; Arcangelo Corelli; Henry Purcell; Alessandro Scarlatti; François Couperin; Georg Philipp Telemann; Johann Kaspar Kerll; Johann Krieger; Georg Böhm; Johann Caspar Ferdinand Fischer; Gottlieb Muffat; Johann Christoph Bach; Johann Sebastian Bach; George Frideric Handel; Carl Philipp Emanuel Bach; Joseph Haydn; Wolfgang Amadeus Mozart; Wilhelm Friedemann Bach; Felix Mendelssohn-Bartholdy; Robert Schumann; Edward Chudacoff
ISBN: 0390088552 9780390088550
OCLC Number: 17354
Notes: "Includes choral, orchestral, and chamber music in addition to a necessary majority of keyboard works"--Preface.
Description: 1 score (404 pages) ; 31 cm
Contents: Part One: Predecessors and Contemporaries of Bach. Ricercar on D, for organ / Johann Kaspar Kerll --
Fugue in G, for organ --
Organ Chorales. Erhalt uns Herr bei deinem Wort (Motet), Jesu Christus, unser Heiland / Dietrich Buxtehude --
Prelude and Fugue in E-flat, for organ / Johann Christoph Bach --
Ricercar on A, for organ / Johann Krieger --
Magnificat Fugue No. 15 on D, for organ / Johann Pachelbel --
Sonata in B minor, Op. 1, No. 6, for 2 violins and continuo. Largo / Arcangelo Corelli --
Sonata in F, Op. 3, No. 1, for 2 violins and continuo. Allegro / Arcangelo Corelli --
Gloria Patri, for four voices --
Suite No. 3 in G, for harpsichord. Prelude / Henry Purcell --
Sonata in G minor, for string quartet. Allegro ma non troppo / Alessandro Scarlatti --
Organ Chorales. Christ lag in Todesbanden (Motet) ; Vom Himmel hoch da komm ich her (Motet) / Georg Bohm --
Ariadne Musica, for organ. Prelude and Fugue No. 3 in D minor ; Prelude and Fugue No. 6 in E minor ; Prelude and Fugue No. 8 in E ; Prelude and Fugue No. 9 in F minor / Johann Kaspar Ferdinand Fischer --
Messe pour les Paroisses, for organ. Fugue in D minor / Francois Couperin --
Sonata in E minor, for 2 flutes. Vivace / Georg Philipp Telemann --
Fugue in G minor, for organ / Gottlieb Muffat. Part Two: Johann Sebastian Bach (1685-1750). Art of the Fugue. Contrapunctus VIII (Triple Fugue) ; Contrapunctus X (Double Fugue) --
Duet in F (from Clavier-Vbung, Part III) --
English Suite No. 1 in A. Gigue --
English Suite No. 5 in E minor. Gigue --
French Suite No. 3 in B minor. Allemande --
Fugue in C, for organ --
Fugue in C minor, for organ --
Goldberg Variations. Variation 15 (Canon at the fifth) ; Variation 18 (Canon at the sixth) --
Inventions in two voices. No. 1 in C ; No. 2 in C minor ; No. 4 in D minor ; No. 6 in E ; No. 11 in G minor ; No. 13 in A minor --
Inventions in three voices. No. 1 in C ; No. 3 in D ; No. 7 in E minor ; No. 8 in F ; No. 9 in F minor ; No. 14 in B-flat --
Mass in B minor. Kyrie eleison ; Gratias agimus tibi --
Minuet in A minor (from Notebook for Anna Magdalena Bach) --
Musical Offering. Eight Canons --
Organ Chorales. Allein Gatt in der Hoh' sei Ehr' (Prelude) ; Allein Gatt in der Hoh' sei Ehr' (Fugue) ; Allein Gatt in der Hoh' sei Ehr' (Fughetta) ; Allein Gatt in der Hoh' sei Ehr' (Trio) ; Aus tiefer Noth schrei' ich zu Dir (Motet) ; Christ unser Herr zum Jordan kam (Invention) ; Christus, der uns selig macht (Canon) ; Jesu, meine Freude (Fantasy) ; Nun komm' der Heiden Heiland --
Singet dem Herrn ein neues Lied (Motet). Alles, was Odem hat --
Sonata in A minor, for violin alone. Fugue --
Well Tempered Clavier, Book I. Fugue No. 1 in C ; Fugue No. 2 in C minor --
Fugue No. 6 in D minor ; Fugue No. 8 in D-sharp minor ; Fugue No. 10 in E minor ; Fugue No. 16 in G minor ; Fugue No. 22 in B-flat minor --
Well-Tempered Clavier, Book II. Prelude No. 2 in C minor ; Fugue No. 2 in C minor ; Fugue No. 5 in D ; Fugue No. 17 in A-flat ; Prelude No. 20 in A minor ; Fugue No. 20 in A minor. Part Three: Georg Frideric Handel (1685-1759). Concerto Grosso in F, Op. 6, No. 9, for strings and continuo ; Allegro --
Fugue in A minor, for harpsichord --
Fugue in C minor, for harpsichord --
Judas Alaccabeus. To our great God --
Suite No. 6 in F-sharp minor (Book I), for harpsichord. Fugue --
Suite No. 3 in D minor (Book II), for harpsichord. Gigue --
Suite No. 7 in B-flat (Book II), for harpsichord. Gigue --
Trio in F, for flute, violin, and continuo. Allegro. Part Four: The Late Eighteenth Century. Sonata No. 8 in C, for piano. Minuet I-II / Wilhelm Friedemann Bach --
Sonata No. 2 in F minor, for 2 flutes. Un poco allegro / Wilhelm Friedemann Bach --
Duet in E minor, for flute and violin. Andante / Karl Philipp Emanuel Bach --
Quartet in A, Op. 20, No. 6, for strings. Allegro / Franz Joseph Haydn --
Canon: Selig, selig alle, K. 230, for 2 voices / Wolfgang Amadeus Mozart --
Fantasy and Fugue in C, K. 394, for piano. Fugue / Wolfgang Amadeus Mozart --
Requiem Mass, K. 626. Kyrie eleison / Wolfgang Amadeus Mozart. Part Five: The Early Nineteenth Century. Fugue in D, Op. 137, for string quintet / Ludwig van Beethoven --
Six Preludes and Fugues, Op. 35, for piano. Fugue No. 3 in B minor / Felix Mendelssohn --
Six Fugues on the Name of BACH, Op. 60, for organ. Fugue No. 3 in G minor / Robert Schumann.
Responsibility: [compiled by] Wallace Berry, Edward Chudacoff.

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